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a quadrangle, into which four triumphal arches opened a noble and spacious entrance: in the centre arose a column of marble, whose height, of one hundred and ten feet, denoted the elevation of the hill that had been cut away. This column, which still subsists in its ancient beauty, exhibited an exact representation of the Dacian victories of its founder. The veteran soldier contemplated the story of his own campaigns, and by an easy illusion of national vanity, the peaceful citizen associated himself to the honors of the triumph. All the other quarters of the capital, and all the provinces of the empire, were embellished by the same liberal spirit of public magnificence, and were filled with amphi theatres, theatres, temples, porticoes, triumphal arches, baths and aqueducts, all variously conducive to the health, the devotion, and the pleasures of the meanest citizen. The last mentioned of those edifices deserve our peculiar attention. The boldness of the enterprise, the solidity of the execution, and the uses to which they were subservient, rank the aqueducts among the noblest monuments of Roman genius and power. The aqueducts of the capital claim a just preeminence; but the curious traveller, who, without the light of history, should examine those of Spoleto, of Metz, or of Segovia, would very naturally conclude that those provincial towns had formerly been the residence of some potent monarch. The solitudes of Asia and Africa were once covered with flourishing cities, whose populousness, and even whose existence, was derived from such artificial supplies of a perennial stream of fresh water. ^73

[Footnote 71: It is particularly remarked of Athens by Dicaearchus, de Statu Graeciae, p. 8, inter Geographos Minores, edit. Hudson.]

[Footnote 72: Donatus de Roma Vetere, l. iii. c. 4, 5, 6. Nardini Roma Antica, l. iii. 11, 12, 13, and a Ms. description of ancient Rome, by Bernardus Oricellarius, or Rucellai, of which I obtained a copy from the library of the Canon Ricardi at Florence. Two celebrated pictures of Timanthes and of Protogenes are mentioned by Pliny, as in the Temple of Peace; and the Laocoon was found in the baths of Titus.]

[Footnote *: The Emperor Vespasian, who had caused the Temple of Peace to be built, transported to it the greatest part of the pictures, statues, and other works of art which had escaped the civil tumults. It was there that every day the artists and the learned of Rome assembled; and it is on the site of this temple that a multitude of antiques have been dug up. See notes of Reimar on Dion Cassius, lxvi. c. 15, p. 1083. - W.]

[Footnote 73: Montfaucon l'Antiquite Expliquee, tom. iv. p. 2, l. i. c. 9. Fabretti has composed a very learned treatise on the aqueducts of Rome.]

We have computed the inhabitants, and contemplated the public works, of the Roman empire. The observation of the number and greatness of its cities will serve to confirm the former, and to multiply the latter. It may not be unpleasing to collect a few scattered instances relative to that subject without forgetting, however, that from the vanity of nations and the poverty of language, the vague appellation of city has been indifferently bestowed on Rome and upon Laurentum.

I. Ancient Italy is said to have contained eleven hundred and ninety- seven cities; and for whatsoever aera of antiquity the expression might be intended, ^74 there is not any reason to believe the country less populous in the age of the Antonines, than in that of Romulus. The petty states of Latium were contained within the metropolis of the empire, by whose superior influence they had been attracted. ^* Those parts of Italy which have so long languished under the lazy tyranny of priests and viceroys, had been afflicted only by the more tolerable calamities of war; and the first symptoms of decay which they experienced, were amply compensated by the rapid improvements of the Cisalpine Gaul. The splendor of Verona may be traced in its remains: yet Verona was less celebrated than Aquileia or Padua, Milan or Ravenna. II. The spirit of