The History of the Decline and Fall of the Roman Empire - Edward Gibbon [639]
[Footnote 174: In the pure language of Ionia and Athens were ancient and familiar words. The former expressed a likeness, an apparition (Homer. Odys. xi. 601,) a representation, an image, created either by fancy or art. The latter denoted any sort of service or slavery. The Jews of Egypt, who translated the Hebrew Scriptures, restrained the use of these words (Exod. xx. 4, 5) to the religious worship of an image. The peculiar idiom of the Hellenists, or Grecian Jews, has been adopted by the sacred and ecclesiastical writers and the reproach of idolatry has stigmatized that visible and abject mode of superstition, which some sects of Christianity should not hastily impute to the polytheists of Greece and Rome.]
Chapter XXII : Julian Declared Emperor.
Part I
Julian Is Declared Emperor By The Legions Of Gaul. - His March And Success. - The Death Of Constantius. - Civil Administration Of Julian. While the Romans languished under the ignominious tyranny of eunuchs and bishops, the praises of Julian were repeated with transport in every part of the empire, except in the palace of Constantius. The barbarians of Germany had felt, and still dreaded, the arms of the young Caesar; his soldiers were the companions of his victory; the grateful provincials enjoyed the blessings of his reign; but the favorites, who had opposed his elevation, were offended by his virtues; and they justly considered the friend of the people as the enemy of the court. As long as the fame of Julian was doubtful, the buffoons of the palace, who were skilled in the language of satire, tried the efficacy of those arts which they had so often practised with success. They easily discovered, that his simplicity was not exempt from affectation: the ridiculous epithets of a hairy savage, of an ape invested with the purple, were applied to the dress and person of the philosophic warrior; and his modest despatches were stigmatized as the vain and elaborate fictions of a loquacious Greek, a speculative soldier, who had studied the art of war amidst the