The History of the Decline and Fall of the Roman Empire - Edward Gibbon [877]
and cast into the streets, Theophilus labored to expose the frauds and vices of the ministers of the idols; their dexterity in the management of the loadstone; their secret methods of introducing a human actor into a hollow statue; ^* and their scandalous abuse of the confidence of devout husbands and unsuspecting females. ^48 Charges like these may seem to deserve some degree of credit, as they are not repugnant to the crafty and interested spirit of superstition. But the same spirit is equally prone to the base practice of insulting and calumniating a fallen enemy; and our belief is naturally checked by the reflection, that it is much less difficult to invent a fictitious story, than to support a practical fraud. The colossal statue of Serapis ^49 was involved in the ruin of his temple and religion. A great number of plates of different metals, artificially joined together, composed the majestic figure of the deity, who touched on either side the walls of the sanctuary. The aspect of Serapis, his sitting posture, and the sceptre, which he bore in his left hand, were extremely similar to the ordinary representations of Jupiter. He was distinguished from Jupiter by the basket, or bushel, which was placed on his head; and by the emblematic monster which he held in his right hand; the head and body of a serpent branching into three tails, which were again terminated by the triple heads of a dog, a lion, and a wolf. It was confidently affirmed, that if any impious hand should dare to violate the majesty of the god, the heavens and the earth would instantly return to their original chaos. An intrepid soldier, animated by zeal, and armed with a weighty battle-axe, ascended the ladder; and even the Christian multitude expected, with some anxiety, the event of the combat. ^50 He aimed a vigorous stroke against the cheek of Serapis; the cheek fell to the ground; the thunder was still silent, and both the heavens and the earth continued to preserve their accustomed order and tranquillity. The victorious soldier repeated his blows: the huge idol was overthrown, and broken in pieces; and the limbs of Serapis were ignominiously dragged through the streets of Alexandria. His mangled carcass was burnt in the Amphitheatre, amidst the shouts of the populace; and many persons attributed their conversion to this discovery of the impotence of their tutelar deity. The popular modes of religion, that propose any visible and material objects of worship, have the advantage of adapting and familiarizing themselves to the senses of mankind: but this advantage is counterbalanced by the various and inevitable accidents to which the faith of the idolater is exposed. It is scarcely possible, that, in every disposition of mind, he should preserve his implicit reverence for the idols, or the relics, which the naked eye, and the profane hand, are unable to distinguish from the most common productions of art or nature; and if, in the hour of danger, their secret and miraculous virtue does not operate for their own preservation, he scorns the vain apologies of his priests, and justly derides the object, and the folly, of his superstitious attachment. ^51 After the fall of Serapis, some hopes were still entertained by the Pagans, that the Nile would refuse his annual supply to the impious masters of Egypt; and the extraordinary delay of the inundation seemed to announce the displeasure of the river-god. But this delay was soon compensated by the rapid swell of the waters. They suddenly rose to such an unusual height, as to comfort the discontented party with the pleasing expectation of a deluge; till the peaceful river again subsided to the well-known and fertilizing level of sixteen cubits, or about thirty English feet. ^52
[Footnote 43: We may choose between the date of Marcellinus (A.D. 389) or that of Prosper, ( A.D. 391.) Tillemont (Hist. des Emp. tom. v. p. 310, 756) prefers the former, and Pagi the latter.]
[Footnote 44: Tillemont, Mem. Eccles. tom. xi. p. 441 - 500. The ambiguous situation of Theophilus - a saint, as the friend of Jerom a