The History of the Decline and Fall of the Roman Empire - Edward Gibbon [914]
[Footnote 43: Orosius (l. vii. c. 37) is shocked at the impiety of the Romans, who attacked, on Easter Sunday, such pious Christians. Yet, at the same time, public prayers were offered at the shrine of St. Thomas of Edessa, for the destruction of the Arian robber. See Tillemont (Hist des Emp. tom. v. p. 529) who quotes a homily, which has been erroneously ascribed to St. Chrysostom.]
[Footnote 44: The vestiges of Pollentia are twenty-five miles to the south- east of Turin. Urbs, in the same neighborhood, was a royal chase of the kings of Lombardy, and a small river, which excused the prediction, "penetrabis ad urbem," (Cluver. Ital. Antiq tom. i. p. 83 - 85.)]
[Footnote 45: Orosius wishes, in doubtful words, to insinuate the defeat of the Romans. "Pugnantes vicimus, victores victi sumus." Prosper (in Chron.) makes it an equal and bloody battle, but the Gothic writers Cassiodorus (in Chron.) and Jornandes (de Reb. Get. c. 29) claim a decisive victory.]
[Footnote 46: Demens Ausonidum gemmata monilia matrum, Romanasque alta famulas cervice petebat.
De Bell. Get. 627.]
[Footnote 47: Claudian (de Bell. Get. 580 - 647) and Prudentius (in Symmach. n. 694 - 719) celebrate, without ambiguity, the Roman victory of Pollentia. They are poetical and party writers; yet some credit is due to the most suspicious witnesses, who are checked by the recent notoriety of facts.]
[Footnote 48: Claudian's peroration is strong and elegant; but the identity of the Cimbric and Gothic fields must be understood (like Virgil's Philippi, Georgic i. 490) according to the loose geography of a poet. Verselle and Pollentia are sixty miles from each other; and the latitude is still greater, if the Cimbri were defeated in the wide and barren plain of Verona, (Maffei, Verona Illustrata, P. i. p. 54 - 62.)]
The eloquence of Claudian ^49 has celebrated, with lavish applause, the victory of Pollentia, one of the most glorious days in the life of his patron; but his reluctant and partial muse bestows more genuine praise on the character of the Gothic king. His name is, indeed, branded with the reproachful epithets of pirate and robber, to which the conquerors of every age are so justly entitled; but the poet of Stilicho is compelled to acknowledge that Alaric possessed the invincible temper of mind, which rises superior to every misfortune, and derives new resources from adversity. After