The Hollow Hills - Mary Stewart [111]
"Nothing easier, and you can put away your money. Did you take money of me when you mended my arm? Give us an hour, and we'll get all you want, and no word said. The boy can come with us -- folk are used to seeing him bring goods down to the forge. He'll bring what you need."
I thanked him again, and we talked for a little longer, while I gave him what news there was from the south; then they took their leave. It is a matter of fact that, then or at any time, none of them, down to the boy, said a word to any man about my visit.
The boy had not yet returned from the village when the smith finished his job. I paid him his fee and commended him on his work. He took this as no more than his due, and, though he must have heard all that had passed between Brychan and me, showed no awe of me. Indeed, I have never seen why any man skilled in his trade, and surrounded by the articles of his craft, should be in awe of princes. Their task differs, that is all.
"Which way do you ride?" he asked me. Then, as I hesitated: "I told you not to fear me. If that magpie Brychan and his brothers can be silent, then so can I. I serve the road and all men on it, and I'm no more a King's man than any smith who is bound to serve the road, but I spoke to Am-brosius once. And my grandfather's grandfather, why, he shod the horse of the Emperor Maximus himself." He mistook the reason for the look on my face. "Aye, you may well stare. That's a long time ago. But even then, my granda told me, this anvil had been worked by father and son and father and son further back than the oldest man in the village could remember. Why, it's said hereabouts that the first smith who set up his iron here had been taught his trade by Weland Smith himself. So who else would the Emperor come to? Look,"
He pointed at the door, which was set wide open, back against the wall. It was made of oak, adzed smooth as beaten silver, and age and weather had so bleached and polished it that its surface was bone pale, meshed and rippled like grey water. From a hook nearby hung a bag of iron nails, and then a rack of branding irons. All over the silky wood of the door were the scars of brands where the generations of smiths had tried them as they were fashioned.
An A caught my eye, but the brand was new, still charred and black. Beneath it and overlaid by it was some sign that looked like a bird flying; then an arrow, and an eye, and one or two cruder signs scrawled in with red-hot metal by idle jesters waiting for the smith to finish a job. But to one side, clear of them all, faded so that they were only dark silver on light, were the letters M.I. Just below these was a deeper scar on the door, a half-moon indented, with the marks of nails. It was at this that the smith was pointing. "They say that's where the Emperor's stallion kicked out, but I don't believe it. When I and mine handle a horse, be he the wildest stallion straight off the hills, he doesn't kick. But that, there, above it, that's true enough. That brand was made here, for the horses Macsen Wledig took east with him, the time he killed the King of Rome."
"Smith," I said, "that is the only part of your legend that is false. The King of Rome killed Maximus, and took his sword. But the men of Wales brought it back here to Britain. Was the sword made here, too?"
He was a long time replying, and I felt my heart quicken as I waited. But at last he said, reluctantly: "If it was, I have never heard of it." It was obvious that it had cost him a struggle not to add the sword to the forge's credit, but he had told me the truth.
"I was told," I said, "that somewhere in the forest is a man who knows where the Emperor's sword is hidden. Have you heard of this, or do you know where I can find it?"
"No, how should I? They say there is a holy man a long way north of