The House Behind The Cedars [2]
`De days er his life is three-sco' an' ten'--an' de ole jedge is libbed mo' d'n dat, suh, by five yeahs, ter say de leas'."
"`Death,'" quoted Warwick, with whose mood the undertaker's remarks were in tune, "`is the penalty that all must pay for the crime of living.'"
"Dat 's a fac', suh, dat 's a fac'; so dey mus'-- so dey mus'. An' den all de dead has ter be buried. An' we does ou' sheer of it, suh, we does ou' sheer. We conduc's de obs'quies er all de bes' w'ite folks er de town, suh."
Warwick left the undertaker's shop and retraced his steps until he had passed the lawyer's office, toward which he threw an affectionate glance. A few rods farther led him past the old black Presbyterian church, with its square tower, embowered in a stately grove; past the Catholic church, with its many crosses, and a painted wooden figure of St. James in a recess beneath the gable; and past the old Jefferson House, once the leading hotel of the town, in front of which political meetings had been held, and political speeches made, and political hard cider drunk, in the days of "Tippecanoe and Tyler too."
The street down which Warwick had come intersected Front Street at a sharp angle in front of the old hotel, forming a sort of flatiron block at the junction, known as Liberty Point,--perhaps because slave auctions were sometimes held there in the good old days. Just before Warwick reached Liberty Point, a young woman came down Front Street from the direction of the market-house. When their paths converged, Warwick kept on down Front Street behind her, it having been already his intention to walk in this direction.
Warwick's first glance had revealed the fact that the young woman was strikingly handsome, with a stately beauty seldom encountered. As he walked along behind her at a measured distance, he could not help noting the details that made up this pleasing impression, for his mind was singularly alive to beauty, in whatever embodiment. The girl's figure, he perceived, was admirably proportioned; she was evidently at the period when the angles of childhood were rounding into the promising curves of adolescence. Her abundant hair, of a dark and glossy brown, was neatly plaited and coiled above an ivory column that rose straight from a pair of gently sloping shoulders, clearly outlined beneath the light muslin frock that covered them. He could see that she was tastefully, though not richly, dressed, and that she walked with an elastic step that revealed a light heart and the vigor of perfect health. Her face, of course, he could not analyze, since he had caught only the one brief but convincing glimpse of it.
The young woman kept on down Front Street, Warwick maintaining his distance a few rods behind her. They passed a factory, a warehouse or two, and then, leaving the brick pavement, walked along on mother earth, under a leafy arcade of spreading oaks and elms. Their way led now through a residential portion of the town, which, as they advanced, gradually declined from staid respectability to poverty, open and unabashed. Warwick observed, as they passed through the respectable quarter, that few people who met the girl greeted her, and that some others whom she passed at gates or doorways gave her no sign of recognition; from which he inferred that she was possibly a visitor in the town and not well acquainted.
Their walk had continued not more than ten minutes when they crossed a creek by a wooden bridge and came to a row of mean houses standing flush with the street. At the door of one, an old black woman had stooped to lift a large basket, piled high with laundered clothes. The girl, as she passed, seized one end of the basket and helped the old woman to raise it to her head, where it rested solidly on the cushion of her head-kerchief. During this interlude, Warwick, though he had slackened his pace measurably, had so nearly closed the gap between himself and them as to hear the old woman say, with the dulcet negro intonation:--
"T'anky', honey; de Lawd gwine bless you sho'. You wuz alluz a
"`Death,'" quoted Warwick, with whose mood the undertaker's remarks were in tune, "`is the penalty that all must pay for the crime of living.'"
"Dat 's a fac', suh, dat 's a fac'; so dey mus'-- so dey mus'. An' den all de dead has ter be buried. An' we does ou' sheer of it, suh, we does ou' sheer. We conduc's de obs'quies er all de bes' w'ite folks er de town, suh."
Warwick left the undertaker's shop and retraced his steps until he had passed the lawyer's office, toward which he threw an affectionate glance. A few rods farther led him past the old black Presbyterian church, with its square tower, embowered in a stately grove; past the Catholic church, with its many crosses, and a painted wooden figure of St. James in a recess beneath the gable; and past the old Jefferson House, once the leading hotel of the town, in front of which political meetings had been held, and political speeches made, and political hard cider drunk, in the days of "Tippecanoe and Tyler too."
The street down which Warwick had come intersected Front Street at a sharp angle in front of the old hotel, forming a sort of flatiron block at the junction, known as Liberty Point,--perhaps because slave auctions were sometimes held there in the good old days. Just before Warwick reached Liberty Point, a young woman came down Front Street from the direction of the market-house. When their paths converged, Warwick kept on down Front Street behind her, it having been already his intention to walk in this direction.
Warwick's first glance had revealed the fact that the young woman was strikingly handsome, with a stately beauty seldom encountered. As he walked along behind her at a measured distance, he could not help noting the details that made up this pleasing impression, for his mind was singularly alive to beauty, in whatever embodiment. The girl's figure, he perceived, was admirably proportioned; she was evidently at the period when the angles of childhood were rounding into the promising curves of adolescence. Her abundant hair, of a dark and glossy brown, was neatly plaited and coiled above an ivory column that rose straight from a pair of gently sloping shoulders, clearly outlined beneath the light muslin frock that covered them. He could see that she was tastefully, though not richly, dressed, and that she walked with an elastic step that revealed a light heart and the vigor of perfect health. Her face, of course, he could not analyze, since he had caught only the one brief but convincing glimpse of it.
The young woman kept on down Front Street, Warwick maintaining his distance a few rods behind her. They passed a factory, a warehouse or two, and then, leaving the brick pavement, walked along on mother earth, under a leafy arcade of spreading oaks and elms. Their way led now through a residential portion of the town, which, as they advanced, gradually declined from staid respectability to poverty, open and unabashed. Warwick observed, as they passed through the respectable quarter, that few people who met the girl greeted her, and that some others whom she passed at gates or doorways gave her no sign of recognition; from which he inferred that she was possibly a visitor in the town and not well acquainted.
Their walk had continued not more than ten minutes when they crossed a creek by a wooden bridge and came to a row of mean houses standing flush with the street. At the door of one, an old black woman had stooped to lift a large basket, piled high with laundered clothes. The girl, as she passed, seized one end of the basket and helped the old woman to raise it to her head, where it rested solidly on the cushion of her head-kerchief. During this interlude, Warwick, though he had slackened his pace measurably, had so nearly closed the gap between himself and them as to hear the old woman say, with the dulcet negro intonation:--
"T'anky', honey; de Lawd gwine bless you sho'. You wuz alluz a