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The House Behind The Cedars [4]

By Root 944 0
of the front of the house. The piazza to a rear wing, at right angles to the front of the house, was open to inspection from the side street, which, to judge from its deserted look, seemed to be but little used. Turning into this street and walking leisurely past the back yard, which was only slightly screened from the street by a china-tree, Warwick perceived the young woman standing on the piazza, facing an elderly woman, who sat in a large rocking-chair, plying a pair of knitting-needles on a half-finished stocking. Warwick's walk led him within three feet of the side gate, which he felt an almost irresistible impulse to enter. Every detail of the house and garden was familiar; a thousand cords of memory and affection drew him thither; but a stronger counter-motive prevailed. With a great effort he restrained himself, and after a momentary pause, walked slowly on past the house, with a backward glance, which he turned away when he saw that it was observed.

Warwick's attention had been so fully absorbed by the house behind the cedars and the women there, that he had scarcely noticed, on the other side of the neglected by-street, two men working by a large open window, in a low, rude building with a clapboarded roof, directly opposite the back piazza occupied by the two women. Both the men were busily engaged in shaping barrel-staves, each wielding a sharp-edged drawing-knife on a piece of seasoned oak clasped tightly in a wooden vise.

"I jes' wonder who dat man is, an' w'at he 's doin' on dis street," observed the younger of the two, with a suspicious air. He had noticed the gentleman's involuntary pause and his interest in the opposite house, and had stopped work for a moment to watch the stranger as he went on down the street.

"Nev' min' 'bout dat man," said the elder one. "You 'ten' ter yo' wuk an' finish dat bairl-stave. You spen's enti'ely too much er yo' time stretchin' yo' neck atter other people. An' you need n' 'sturb yo'se'f 'bout dem folks 'cross de street, fer dey ain't yo' kin', an' you're wastin' yo' time both'in' yo' min' wid 'em, er wid folks w'at comes on de street on account of 'em. Look sha'p now, boy, er you'll git dat stave trim' too much."

The younger man resumed his work, but still found time to throw a slanting glance out of the window. The gentleman, he perceived, stood for a moment on the rotting bridge across the old canal, and then walked slowly ahead until he turned to the right into Back Street, a few rods farther on.



II

AN EVENING VISIT


Toward evening of the same day, Warwick took his way down Front Street in the gathering dusk. By the time night had spread its mantle over the earth, he had reached the gate by which he had seen the girl of his morning walk enter the cedar- bordered garden. He stopped at the gate and glanced toward the house, which seemed dark and silent and deserted.

"It's more than likely," he thought, "that they are in the kitchen. I reckon I'd better try the back door."

But as he drew cautiously near the corner, he saw a man's figure outlined in the yellow light streaming from the open door of a small house between Front Street and the cooper shop. Wishing, for reasons of his own, to avoid observation, Warwick did not turn the corner, but walked on down Front Street until he reached a point from which he could see, at a long angle, a ray of light proceeding from the kitchen window of the house behind the cedars.

"They are there," he muttered with a sigh of relief, for he had feared they might be away. "I suspect I'll have to go to the front door, after all. No one can see me through the trees."

He retraced his steps to the front gate, which he essayed to open. There was apparently some defect in the latch, for it refused to work. Warwick remembered the trick, and with a slight sense of amusement, pushed his foot under the gate and gave it a hitch to the left, after which it opened readily enough. He walked softly up the sanded path, tiptoed up the steps and across the piazza, and rapped at the front door, not
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