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The House Behind The Cedars [71]

By Root 1012 0
fus'!"

Frank himself resisted the temptation for half an hour after the music began, but at length he made his way across the street and stationed himself at the window opening upon the back piazza. When Rena was in the room, he had eyes for her only, but when she was absent, he fixed his attention mainly upon Wain. With jealous clairvoyance he observed that Wain's eyes followed Rena when she left the room, and lit up when she returned. Frank had heard that Rena was going away with this man, and he watched Wain closely, liking him less the longer he looked at him. To his fancy, Wain's style and skill were affectation, his good-nature mere hypocrisy, and his glance at Rena the eye of the hawk upon his quarry. He had heard that Wain was unmarried, and he could not see how, this being so, he could help wishing Rena for a wife. Frank would have been content to see her marry a white man, who would have raised her to a plane worthy of her merits. In this man's shifty eye he read the liar--his wealth and standing were probably as false as his seeming good-humor.

"Is that you, Frank?" said a soft voice near at hand.

He looked up with a joyful thrill. Rena was peering intently at him, as if trying to distinguish his features in the darkness. It was a bright moonlight night, but Frank stood in the shadow of the piazza.

"Yas 'm, it's me, Miss Rena. Yo' mammy said I could come over an' see you-all dance. You ain' be'n out on de flo' at all, ter-night."

" No, Frank, I don't care for dancing. I shall not dance to-night."

This answer was pleasing to Frank. If he could not hope to dance with her, at least the men inside --at least this snake in the grass from down the country--should not have that privilege.

"But you must have some supper, Frank," said Rena. "I'll bring it myself."

"No, Miss Rena, I don' keer fer nothin'--I did n' come over ter eat--r'al'y I didn't."

"Nonsense, Frank, there's plenty of it. I have no appetite, and you shall have my portion."

She brought him a slice of cake and a glass of eggnog. When Mis' Molly, a minute later, came out upon the piazza, Frank left the yard and walked down the street toward the old canal. Rena had spoken softly to him; she had fed him with her own dainty hands. He might never hope that she would see in him anything but a friend; but he loved her, and he would watch over her and protect her, wherever she might be. He did not believe that she would ever marry the grinning hypocrite masquerading back there in Mis' Molly's parlor; but the man would bear watching.

Mis' Molly had come to call her daughter into the house. "Rena," she said, "Mr. Wain wants ter know if you won't dance just one dance with him."

"Yas, Rena," pleaded Mary B., who followed Miss Molly out to the piazza, "jes' one dance. I don't think you're treatin' my comp'ny jes' right, Cousin Rena."

"You're goin' down there with 'im," added her mother, "an' it 'd be just as well to be on friendly terms with 'im."

Wain himself had followed the women. "Sho'ly, Miss Rena, you're gwine ter honah me wid one dance? I'd go 'way f'm dis pa'ty sad at hea't ef I had n' stood up oncet wid de young lady er de house."

As Rena, weakly persuaded, placed her hand on Wain's arm and entered the house, a buggy, coming up Front Street, paused a moment at the corner, and then turning slowly, drove quietly up the nameless by-street, concealed by the intervening cedars, until it reached a point from which the occupant could view, through the open front window, the interior of the parlor.



XXIV

SWING YOUR PARTNERS


Moved by tenderness and thoughts of self-sacrifice, which had occupied his mind to the momentary exclusion of all else, Tryon had scarcely noticed, as be approached the house behind the cedars, a strain of lively music, to which was added, as he drew still nearer, the accompaniment of other festive sounds. He suddenly awoke, however, to the fact that these signs of merriment came from the house at which he had intended to stop;-- he had not meant that Rena should pass
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