The House of the Wolf [49]
They had shown at first a measure of prudence; looking to be fired on, and to be resisted by men, surprised, indeed, but desperate; and the bolder of them only had advanced. But now they pressed round unchecked, meeting no resistance. They would scarcely stand back to let the sledges have swing; but hallooed and ran in on the creaking beams and beat them with their fists, whenever the gates swayed under a blow.
One stout iron bar still held its place. And this I watched as if fascinated. I was alone in the empty courtyard, standing a little aside, sheltered by one of the stone pillars from which the gates hung. Behind me the door of the house stood ajar. Candles, which the daylight rendered garish, still burned in the rooms on the first floor, of which the tall narrow windows were open. On the wide stone sill of one of these stood Croisette, a boyish figure, looking silently down at me, his hand on the latticed shutter. He looked pale, and I nodded and smiled at him. I felt rather anger than fear myself; remembering, as the fiendish cries half-deafened me, old tales of the Jacquerie and its doings, and how we had trodden it out.
Suddenly the din and tumult flashed to a louder note; as when hounds on the scent give tongue at sight. I turned quickly from the house, recalled to a sense of the position and peril. The iron bar was yielding to the pressure. Slowly the left wing of the gate was sinking inwards. Through the widening chasm I caught a glimpse of wild, grimy faces and bloodshot eyes, and heard above the noise a sharp cry from Croisette--a cry of terror. Then I turned and ran, with a defiant gesture and an answering yell, right across the forecourt and up the steps to the door.
I ran the faster for the sharp report of a pistol behind me, and the whirr of a ball past my ear. But I was not scared by it: and as my feet alighted with a bound on the topmost step, I glanced back. The dogs were halfway across the court. I made a bungling attempt to shut and lock the great door--failed in this; and heard behind me a roar of coarse triumph. I waited for no more. I darted up the oak staircase four steps at a time, and rushed into the great drawing-room on my left, banging the door behind me.
The once splendid room was in a state of strange disorder. Some of the rich tapestry had been hastily torn down. One window was closed and shuttered; no doubt Croisette had done it. The other two were open--as if there had not been time to close them--and the cold light which they admitted contrasted in ghastly fashion with the yellow rays of candles still burning in the sconces. The furniture had been huddled aside or piled into a barricade, a CHEVAUX DE FRISE of chairs and tables stretching across the width of the room, its interstices stuffed with, and its weakness partly screened by, the torn-down hangings. Behind this frail defence their backs to a door which seemed to lead to an inner room, stood Marie and Croisette, pale and defiant. The former had a long pike; the latter levelled a heavy, bell-mouthed arquebuse across the back of a chair, and blew up his match as I entered. Both had in addition procured swords. I darted like a rabbit through a little tunnel left on purpose for me in the rampart, and took my stand by them.
"Is all right?" ejaculated Croisette turning to me nervously.
"All right, I think," I answered. I was breathless.
"You are not hurt?"
"Not touched!"
I had just time then to draw my sword before the assailants streamed into the room, a dozen ruffians, reeking and tattered, with flushed faces and greedy, staring eyes. Once inside, however, suddenly--so suddenly that an idle spectator might have found the change ludicrous--they came to a stop. Their wild cries ceased, and tumbling over one another with curses and oaths they halted, surveying us in muddled surprise; seeing what was before them, and not liking it. Their leader appeared to be a tall butcher with a pole-axe on his half-naked shoulder; but there were among them two or three soldiers in the royal livery
One stout iron bar still held its place. And this I watched as if fascinated. I was alone in the empty courtyard, standing a little aside, sheltered by one of the stone pillars from which the gates hung. Behind me the door of the house stood ajar. Candles, which the daylight rendered garish, still burned in the rooms on the first floor, of which the tall narrow windows were open. On the wide stone sill of one of these stood Croisette, a boyish figure, looking silently down at me, his hand on the latticed shutter. He looked pale, and I nodded and smiled at him. I felt rather anger than fear myself; remembering, as the fiendish cries half-deafened me, old tales of the Jacquerie and its doings, and how we had trodden it out.
Suddenly the din and tumult flashed to a louder note; as when hounds on the scent give tongue at sight. I turned quickly from the house, recalled to a sense of the position and peril. The iron bar was yielding to the pressure. Slowly the left wing of the gate was sinking inwards. Through the widening chasm I caught a glimpse of wild, grimy faces and bloodshot eyes, and heard above the noise a sharp cry from Croisette--a cry of terror. Then I turned and ran, with a defiant gesture and an answering yell, right across the forecourt and up the steps to the door.
I ran the faster for the sharp report of a pistol behind me, and the whirr of a ball past my ear. But I was not scared by it: and as my feet alighted with a bound on the topmost step, I glanced back. The dogs were halfway across the court. I made a bungling attempt to shut and lock the great door--failed in this; and heard behind me a roar of coarse triumph. I waited for no more. I darted up the oak staircase four steps at a time, and rushed into the great drawing-room on my left, banging the door behind me.
The once splendid room was in a state of strange disorder. Some of the rich tapestry had been hastily torn down. One window was closed and shuttered; no doubt Croisette had done it. The other two were open--as if there had not been time to close them--and the cold light which they admitted contrasted in ghastly fashion with the yellow rays of candles still burning in the sconces. The furniture had been huddled aside or piled into a barricade, a CHEVAUX DE FRISE of chairs and tables stretching across the width of the room, its interstices stuffed with, and its weakness partly screened by, the torn-down hangings. Behind this frail defence their backs to a door which seemed to lead to an inner room, stood Marie and Croisette, pale and defiant. The former had a long pike; the latter levelled a heavy, bell-mouthed arquebuse across the back of a chair, and blew up his match as I entered. Both had in addition procured swords. I darted like a rabbit through a little tunnel left on purpose for me in the rampart, and took my stand by them.
"Is all right?" ejaculated Croisette turning to me nervously.
"All right, I think," I answered. I was breathless.
"You are not hurt?"
"Not touched!"
I had just time then to draw my sword before the assailants streamed into the room, a dozen ruffians, reeking and tattered, with flushed faces and greedy, staring eyes. Once inside, however, suddenly--so suddenly that an idle spectator might have found the change ludicrous--they came to a stop. Their wild cries ceased, and tumbling over one another with curses and oaths they halted, surveying us in muddled surprise; seeing what was before them, and not liking it. Their leader appeared to be a tall butcher with a pole-axe on his half-naked shoulder; but there were among them two or three soldiers in the royal livery