The Hunchback of Notre Dame - Victor Hugo [2]
In the 1820s and 30s, Hugo came into his own as a writer and figurehead of the new Romanticism, a movement that sought to liberate literature from its stultifying classical influences. His preface to the play Cromwell, in 1827, proclaimed a new aesthetics inspired by Shakespeare and Velazquez, based on the shock effects of juxtaposing the grotesque with the sublime (for example, the deformed hunchback inhabiting the magnificent cathedral of Notre Dame). The play Hernani incited violent public disturbances among scandalized audiences in 1830. The next year, the great success of Notre-Dame de Paris (The Hunchback of Notre Dame) confirmed Hugo’s primacy among the Romantics.
By 1830 the Hugos had four children. Exhausted from her pregnancies and Hugo’s insatiable sexual demands, Adèle began to sleep alone, and soon fell in love with Hugo’s best friend, the critic Charles-Augustin Sainte-Beuve. They began an affair. The Hugos stayed together as friends, and in 1833 Hugo met the actress Juliette Drouet, who would remain his primary mistress until her death fifty years later.
Personal tragedy pursued Hugo relentlessly. His jealous brother Eugène went permanently insane at Victor’s wedding to Adèle. Three of Victor’s children died before him. His favorite, Léopoldine, together with her unborn child and her devoted husband, died at nineteen in a boating accident on the Seine. The one survivor, Adèle (named after her mother), would be institutionalized for more than thirty years.
Hugo’s early royalist sympathies shifted toward liberalism during the late 1820s under the influences of the fiery liberal priest Félic ite de Lamennais; of his close friend Charles Nodier, an ardent opponent of capital punishment; and of his father, a general under Napoleon I. He first held political office in 1843, and as he became more engaged in France’s social troubles, he was elected to the Constitutional Assembly following the February Revolution of 1848. A lifetime advocate of freedom and justice, often at his own peril, Hugo’s work linked art to the political realm. After Napoleon III’s coup detat in 1851, Hugo’s open opposition created hostilities that ended in his flight abroad from the new government.
Hugo’s exile took him first to Belgium, and then to the Channel Islands of Jersey and Guernsey. Declining at least two offers of amnesty—which would have meant curtailing his opposition to the Empire—Hugo remained abroad for nineteen years, until Napoleon’s fall in 1870. Meanwhile, the seclusion of the islands enabled Hugo to write some of his most famous verse and his masterpiece, the novel Les Misérables. When he returned to Paris, the country hailed him as a hero. Hugo then weathered, within a brief period, the siege of Paris, the institutionalization of his daughter for insanity, and the death of his two sons. Despite this personal anguish, the aging author remained committed to political change. He became an internationally revered figure who helped to preserve and shape the Third Republic and democracy in France. Hugo’s death on May 22, 1885, generated intense national mourning; more than two million people joined his funeral procession in Paris from the Arc de Triomphe to the Pantheon, where he was buried.
The World of Victor Hugo and
The Hunchbach of Notre Dame
1797 Hugo’s parents, Joseph-Léopold Hugo and Sophie Trébuchet, marry. They will have three sons: Abel (1798), Eugène (1800), and Victor-Marie (1802), who is born in Be sançon on February 26. An officer in the army of Napoleon Bonaparte (Napoleon I), Léopold must travel constantly during Victor’s youth.
1803 1812 Marital problems occur as Sophie cannot tolerate the tran sience of army life; finally, she settles in Paris with her three children. Both parents start extramarital affairs. The family travels to Corsica and Elba,