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The Hunchback of Notre Dame - Victor Hugo [73]

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were the monastery of the Bernardines, with its three spires; Sainte-Geneviève, whose square tower, still standing, makes us regret the rest sc much; the Sorbonne, half college, half monastery, of which the fine nave still remains; the elegant quadrangular cloister of the Mathurin friars; its neighbor, the cloister of St. Benedict, within the walls of which a theater has been knocked up in the interval between the seventh and eighth editions of this book; the Franciscan abbey, with its three enormous gables side by side; the house of the Austin friars, whose graceful spire was, after the Tour de Nesle, the second lofty landmark on this side of Paris, looking westward. The colleges, which are in fact the connecting link between the convent and the world, formed the central point in the series of buildings between secular and religious houses, with a severity full of elegance, their sculptures being less meaningless than those of the palaces, their architecture not so sober as that of the monasteries. Unfortunately, scarcely anything is left of these monuments in which Gothic art hit so happy a medium between richness and economy; the churches (and they were many and splendid in the University quarter, representing every period of architecture, from the semicircular arches of St. Julian to the painted arches of St. Severius) predominated over everything else; and, like one harmony the more in that mass of harmonies, they broke through the varied sky-line of gables with their sharp spires, their open steeples, and their slender pinnacles, whose line was but a magnificent exaggeration of the steep pitch of the roofs.

The ground on which the University stood was hilly. The mountain of St. Geneviève formed a huge mound to the southeast; and it was a sight well worth seeing, to look down from the top of Notre-Dame upon that crowd of narrow, winding streets (now the Latin Quarter), and those close clusters of houses which, scattered in every direction from the summit of the height, seemed hurrying haphazard and almost perpendicularly down its sides to the water’s edge, some apparently falling, others climbing up again, all clinging together for mutual support. The constant ebb and flow of a myriad of black dots crossing and recrossing each other on the pavement lent a shimmering and indistinct look to everything: these were the people seen from a height and a distance.

Lastly, in the spaces between these roofs, these spires, these unnumbered and irregular structures which curved and twisted and indented the outline of the University in so odd a fashion, might be seen at intervals a big bit of mossy wall, a thick round tower, or an embattled city gate, representing the fortress: this was the wall of Philip Augustus. Beyond were the green fields, and beyond these ran the roads, along which stretched a few suburban houses, becoming fewer in number as the distance increased. Some of these suburbs were of considerable importance: there was first, starting from the Tournelle, the borough of Saint-Victor, with its single arched bridge across the Bièvre; its abbey, where one might read the epitaph of Louis the Fat,—epitaphium Ludovici Grossi; and its church with an octagonal steeple flanked by four eleventh-century belfries (there is a similar one at Etampes, which has not yet been destroyed); then the borough of Saint-Marceau, which possessed three churches and a convent; then, leaving the Gobelins factory and its four white walls on the left, came the suburb of Saint-Jacques, with the beautiful carved cross in the market-place; the Church of Saint-Jacques du Haut-Pas, which was then Gothic, pointed and delightful; Saint-Magloire, with a fine fourteenth-century nave, which Napoleon turned into a hayloft; Notre-Dame des-Champs, where there were Byzantine mosaics; lastly, leaving in the open country the Carthusian monastery, a rich edifice of the same date as the Palace of Justice, with its little private gardens, and the ill-famed ruins of Vauvert, the eye fell, to the westward, upon the three Roman spires of Saint-Germain-des-Prés. The

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