The Hunchback of Notre Dame - Victor Hugo [77]
Lastly, the fourth division clearly outlined in the conglomeration of house-tops on the right bank of the river, and occupying the western angle formed by the boundary wall and the shore down stream, was still another cluster of palaces, and elegant residences, nestling in the shadow of the Louvre. The old Louvre of Philip Augustus, that overgrown structure around whose great tower were grouped twenty-three towers almost as large, to say nothing of smaller turrets, seemed from a distance to be framed in the Gothic summits of the Hotel d‘Alençon and of the Petit-Bourbon. This hydra of towers, the giant guardian of Paris, with its twenty-four heads always reared aloft, with its monstrous cruppers covered with lead or scaly with slates, all dimpling and rippling with metallic reflections, made a surprising finish to the outline of the Town on the west.
An immense mass, therefore,—what the Romans called an insula,—of plain, homely houses, flanked on either hand by blocks of palaces, crowned, the one by the Louvre, the other by the Tournelles, bounded on the north by a long line of abbeys and cultivated fields, blending and mingling together as one gazed at them; above these countless buildings, whose tiled and slated roofs stood out in such strange outlines one against the other, the crimped, twisted, ornamented steeples the forty-four churches of the right bank of the river; myriads of crooked streets, bounded on one side by a line of high walls with square towers (that of the University had round towers), on the other by the Seine intersected by bridges, and bearing along a wilderness of boats,—such was the Town in the fifteenth century.
Outside the walls, some few suburbs crowded to the gates; but there were not so many houses, nor were they so close together, as in the University quarter. There were, behind the Bastille, some twenty huts, built close around the Cross of Faubin with its curious carvings, and the Abbey of Saint-Antoine des Champs with its buttresses; then came Popincourt, hidden in wheat-fields; then Courtille, a jolly village of taverns; the borough of Saint-Laurent, with its church, whose steeple at a distance seemed to be a part of the pointed towers of the Porte Saint-Martin; the Faubourg Saint-Denis, with the vast enclosure of Saint-Ladre; outside the Porte Montmartre, Grange-Batelière, surrounded by white walls; behind it, with its chalky slopes, Montmartre, which then held almost as many churches as windmills, and which has kept only the mills,—for society now prefers material to spiritual bread. Lastly, beyond the Louvre the Faubourg Saint-Honoré, even then of considerable extent, stretched away into the fields, and Little Britain looked green in the distance, and the Pig-market was plainly visible, in the midst of it the horrible caldron for boiling alive coiners of counterfeit money. Between Courtille and Saint-Laurent the eye noted, on the summit of a height situated in the midst of bare plains, a sort of structure looking from a distance like a ruined colonnade standing upon bare foundations. It was neither a Parthenon nor a temple to Olympian Jove; it was Montfaucon. ay
Now, if the list of so many buildings, brief as we have tried to make it, has not destroyed, as fast as we constructed it, in the reader’s mind the general outlines of old Paris, we will sum up our description in a few words. In the center, the island of the City, shaped like a huge turtle, and protruding its bridges, scaly with tiles, like feet,