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The Hungry Tide - Amitav Ghosh [49]

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tantalizing glimpses of plump hives hanging from branches, but when they approached, the hives seemed to disappear, only to reappear again at a distance. They could not avail themselves of even one, and Dhona was reduced to despair. But that night Dokkhin Rai revealed himself to Dhona in a dream and proposed a pact in which they would each provide for the satisfaction of the other’s desires. The demon wanted the boy that Dhona had brought on his boat; it was an age since he had been able to sate his appetite for human beings, and he was now riven with a longing for the taste of Dukhey’s flesh. In exchange he would give Dhona wealth beyond imagining, as much as could be carried on the boats.

Overcome by greed, Dhona assented to the bargain and at once the creatures of the forest, the demons and ghosts, even the bees themselves, began to load Dhona’s boats with a great cargo of honey and wax. Soon the vessels were full and could carry no more and then it was time for Dhona to keep his part of the bargain. Summoning Dukhey, he told him to go ashore to fetch some firewood.

The boy had no recourse but to obey, and on his return found his worst misgivings confirmed: the ships were gone. As he stood alone on the bank, trapped between river and forest, his eye caught a shimmer of black and gold — he was being stalked by a tiger, hidden in the greenery on the far shore. The animal was none other than Dokkhin Rai in disguise, and the demon shook the earth with a roar as he started his charge. At the sight of that immense body and those vast jowls, flapping in the wind like sails, mortal terror seized Dukhey’s soul. Even as he was losing consciousness, he recalled his mother’s parting words and called out, “O Mother of Mercy, Bon Bibi, save me, come to my side!”

Bon Bibi was far away, but she crossed the waters in an instant. She revived the boy, taking him into her lap while her brother, Shah Jongoli, dealt a terrible chastisement to the demon. Then, transporting Dukhey to her home, she nursed him back to health. When it was time for him to return, she sent him back to his mother with a treasure trove of honey and wax. Thus did Bon Bibi show the world the law of the forest, which was that the rich and greedy would be punished while the poor and righteous were rewarded.

Kanai had expected to be bored by this rustic entertainment: in Calcutta he was accustomed to going to theaters like the Academy of Fine Arts and cinemas like the Globe. But much to his surprise he was utterly absorbed, and after the show had ended was unable to erase some of the scenes from his mind. The terror he had felt when the demon charged Dukhey was real and immediate, even though there was nothing convincing about the tiger, and it could be plainly seen that the animal was only a man dressed in a painted sheet and a mask. No less real were the tears of joy and gratitude that flowed from his eyes when Bon Bibi appeared at Dukhey’s side. Nor was he the only one: everyone in the audience wept, although the actress’s arrival was anything but instantaneous. On the contrary, the audience had actually had to hurry her along, because as Dukhey lay unconscious with the tiger poised to devour him, she had stopped to lean over the side of the stage in order to clear her mouth of a great wad of paan. But the flow of the story was such that none of this seemed to matter, and even before the performance had ended Kanai knew he wanted to see it again.

THE LAST PERFORMANCE of The Glory of Bon Bibi was something of a special event, and many people came in from other islands. The crowd was much rowdier than on other days and Kanai kept to the maidan’s fringes, watching from a distance. By this time he knew the first part of the show well enough to be bored by it. At a certain point he dozed off, and found on waking that he was sitting next to Kusum. “What’s happening?” he whispered. “Where have they got to?” There was no answer; she was so rapt by the performance that she seemed oblivious of his presence. Her absorption prompted him to glance at the stage, and he saw that

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