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The Hyde Park Headsman - Anne Griffin Perry [48]

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something not unlike satisfaction. His lip twitched as he met Pitt’s eyes.

“Who is he? What sort of a man, do you know?” Pitt asked.

“Tall, distinguished-looking, about fifty-five or so,” Tellman replied. “Thin, very light, I should think. Gentleman. Soft hands. Never done a day’s work with them.”

“How do you know his name?”

“Cards on him. Nice little silver card case, with his name engraved and half a dozen cards inside.”

“Address?” Pitt asked.

“No. Just his name. Oh, and a little musical note. Affected,” Tellman said with contempt. “Why on earth would anyone put a musical note on their card?”

“Singer?” Pitt suggested. “Composer?”

“Well certainly not in the halls!” Tellman gave a dry laugh. “His clothes were expensive, best tailors, Savile Row, shirts from Gieves.”

“Any money on him?” Pitt asked.

“Not a halfpenny.”

“Nothing at all? Not even coppers?”

“Not a farthing. Just a handkerchief, a pencil, and two sets of house keys. He must have been robbed. No one goes out without even the price of a newspaper, a cab ride, or a packet of matches.” Tellman met Pitt’s eyes, challenging them. “Funny they left the card case, though. As if they wanted us to know who he was, don’t you think? Come to that, his shirt studs were still in.”

“Maybe they were interrupted,” Pitt said thoughtfully. “More likely they didn’t want the card case. Not easy to sell a thing like that.”

“Sane,” Tellman said with a twist of his mouth. “Very sane, this madman of ours. Knows what will do him good and what won’t. But then it makes you wonder why he didn’t take the money the first time, from Winthrop, doesn’t it?”

“It makes me wonder a lot of things,” Pitt replied. He looked at Tellman’s dark, flat eyes, giving nothing. He decided to preempt the criticism he thought was in Tellman’s mind and say it himself. “I thought Winthrop’s murder was personal. Now it begins to look as if it was a lunatic after all.”

“Does, doesn’t it?” Tellman agreed. He lifted his chin a trifle, his face almost expressionless. “Maybe it isn’t a society case after all, just ordinary police work? Unless, of course, our lunatic is a gentleman?” A flash of humor crossed his eyes and vanished again. He said nothing, staring at Pitt and waiting for him to continue.

“I suppose lunacy can afflict any walk of life,” Pitt agreed, knowing that had nothing to do with what Tellman meant. “But less likely, simply because there are fewer of them. What does the medical examiner say? Any struggle?”

“No sir. No other injuries at all, or scratches. No bruises. Hit on the head, like Winthrop, that’s all.”

“And his clothes?” Pitt asked.

“Damp in a few places,” Tellman replied. “As if he lay on the ground. Muddy here and there, but nothing torn, and nothing soiled with blood, except around the neck as you would expect.”

“So he didn’t fight either,” Pitt said.

“Doesn’t look like it. Will you be dropping the case yourself then, sir?” He assumed an air of innocent inquiry.

It was absurd. His words were ambiguous, but always sufficiently respectful to keep him from charges of insolence, and underneath them his expression, his true meaning, was challenging, resentful, itching for Pitt to make a mistake professionally serious enough to lose him his position. They both knew it, although Tellman would have denied it with a smile if he had been accused.

“I should be delighted,” Pitt said, meeting Tellman’s eyes with an equally hard stare. “Unfortunately, I doubt the assistant commissioner will allow me to. Lord and Lady Winthrop seem to be of some importance, in his estimation, and that requires our very best effort, not only factually but apparently as well. However …” He leaned back a little farther in his chair and looked up at Tellman standing before the desk. He slid his hands into his pockets deliberately. “I certainly shall not take you off the case. You are far too important to it.” He smiled. “Not a good idea to take an officer off when it’s a series of murders anyway. You might have seen something too small or too subtle to put into your notes, but nonetheless of importance. One

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