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The Illumination_ A Novel - Kevin Brockmeier [22]

By Root 347 0
this is exactly what she would want.”

“You don’t mean that.”

From down the block came the mosquito-like drone of someone operating a lawn mower. Mysteriously, his anger evaporated. “I don’t, you’re right. Tell you what, Paul—I’ll try to have some images for you by the end of the week, okay?”

“Sounds good. Whenever you’re ready. No pressure from me on this end. Take all the time you need.”

Jason snapped the phone shut and went to the mirror, where he stripped off his pajamas and embarked on his customary preshower ritual, stretching his limbs and tensing his muscles to see how much light they gave off. His eye and his cheek had healed completely, as had his shoulder and his hip, his gums and incisors. One of his ribs still shone with a filmy incandescence, and a new abrasion on his elbow, tacky from scraping against the supermarket meat freezer, glittered like the mica in the sidewalk. Since his discharge from the hospital, he had been dining mainly on microwave dinners and cheap delivered pizza—salty, greasy foods that upset his digestion—and when he turned too forcefully to the side, he could see a pair of bright rectal fissures opening up behind him. Then there was the scar on his abdomen, a small red fold tattooed with a pucker of blue ink. The wound still wept with light occasionally, but only if he distended his belly. It was his knee that continued to worry him, maintaining a constant twilight glow that was run through by cruel white flares whenever he took it out of its brace, sank his weight onto it, or attempted to rotate it laterally. In short, he was still recuperating from the accident. The pain was not as bad as before, though, and he thought he could risk a walk through the neighborhood.

After he had showered and eaten breakfast, he got his camera and set off on his crutches. He wanted to see what images the world would present to him, whether his eye had been altered by sorrow, whether he had any skill left, any talent, and that was how he came to meet the cutters.

He had spent the morning framing the pictures he saw in his lens, capturing them one by one—although he hated that word, capture; hated its suggestion that with a camera you could seize any sight that presented itself to you, stuff it in a cage, and point to it as it jammed its nose through the bars. Better to say that he preserved them, then. He preserved the sight of an old man sitting on a motionless merry-go-round, a long strand of angina shining through his shirt. The sight of a mother smacking the seat of her son’s pants, the burning corona of a bite mark on her arm. A street cop with a gleaming herpes infection on his lip. A rail-thin window-dresser, her sides lit up by shingles. The sight of a girl afflicted with acne, staring down at herself in a fountain, her face fluorescing up at her from the steel mirror of the water. He was pleased to discover that he had not lost his facility for composition, that the lines and curves of things still sought out their counterparts in the air, their colors laying their shapes out in polychromatic blocks. His camerawork had always been a product of habit and instinct, tilting toward craftsmanship rather than artistry, and maybe that had made him a second-rate photographer—he didn’t know—but there was one thing to be said for habit and instinct, for plain old humble craftsmanship, and that was that it wasn’t so easy to snuff out.

He had shouldered his camera and was preparing to head back home when one last image presented itself to him: a pack of adolescents, seventeen or eighteen years old, smoking cigarettes beneath the bus shelter. Their arms and legs were patterned with dozens of freshly inflicted injuries. The glowing lines and tiny luminescent planets on their skin resembled the pits and notches carved into the bus bench. His gaze was drawn to their deliberate, almost sculptural quality. He found it hard to look away.

Surreptitiously, he returned his camera to his eye, moving his head a few inches to the left to compose a shot. Before he could release the shutter, though, a boy with a chain

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