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The Illumination_ A Novel - Kevin Brockmeier [95]

By Root 350 0
’ll love it, he had said. Best of the season, he had said. But it had an ultrasweet botanical taste she couldn’t stand, like the dried cloves her mother always punched into the hams she prepared at Easter. Yuck. Why bother? She tossed the cup in a trash can. An alley cat leaped out from behind the pizza boxes and newspapers and sprang between her legs, bawling at her with its teeth bared, a shrill iamb of hatred. She backed away. Sometimes it seemed to her that she had no place in the world. There was no pity, no consolation. Everything she did ignited these wild billows of spite and resentment. She couldn’t even throw a cup of coffee away without causing trouble for herself. She used to be so at home in her life, so happy, and now there was Adam, only Adam, and he was too lovestruck to see her properly. How could she explain that the woman whose sweat he liked to lick off his fingers, the woman he wanted to marry, wasn’t Helen at all but the ruins of Helen, the shipwreck of Helen?

Morse lost his grasp on them as they crossed the street. Ever since he was a child he had experienced these occasional episodes of deep understanding. Now and then, unpredictably, things would shiver as if from the cold, and he would know what someone nearby was thinking and feeling. It was happening more often all the time. One day, he was afraid, his life would be nothing but other people’s minds. Across the street, for instance, were a pair of glaziers unloading a sheet glass window from a truck flashing its hazards. The one supporting the lower end was named Ezra. A scrim of clouds breezed across the sky, filtering the sunlight, and there in the glass suddenly, as he tilted the pane, he saw his reflection, his dreadlocks spilling out of their elastic band like snakes from a can of novelty peanut brittle. Behind him the world was a claylike city color, the gray and brown of weathered sidewalks and high-rises stitched with fire escapes. It was so strange, so strange. He was backing up when the heel of his boot struck the curb. His reflection lurched away from him. He barely managed to steady the glass in time. Have a nice trip, Ezra. See you next fall. To his partner he said, “Take it a little slower there, why don’t you, yeah?” Every word was like a blade in his sore throat. The pain showed through his Adam’s apple, a dazzling string of broken beads. He hated himself when he got this way, hated his voice, hated his body. It was the city that did it to him. The crowds, the noise, the pollution. Two years, and he still wasn’t used to it. There were days when he could not close his eyes without seeing his Moms and Pops, his four younger sisters, his old bedroom, the luminescent stars on his ceiling, the above-ground pool in his backyard, the beautiful green and yellow of the trees sashaying in the breeze along the coast. He wished he could hear them rustling the way they did on those sunlit summer afternoons when he and his friends stood shaking them for nuts. I don’t like this place. I don’t want to be here.

And then he was gone.

Morse heard a train grinding metal, that unmistakable city sound, and from out of the subway came an enormous spreading tide of pedestrians. Bike messengers pedaled along the curb and swerved across the median, their wheels tilting back and forth. Cars followed one another into empty parking spaces like bowling balls tocking into a ball corral. A bus stopped at the corner to discharge its passengers. In scarcely a second they broke apart, disappearing down side streets and alleys, into clothing stores, restaurants, and apartment buildings. To all of those who crossed in front of his blanket Morse repeated his sales pitch.

“One for two or cash money. One for two or cash money.”

Their skin was raw from the wind, their eyes glowing with fatigue or fever, allergies or conjunctivitis, and almost always they passed him by. Occasionally, though, one would stop and look at his merchandise.

“What does that mean, one for two?”

“One of my books, two of yours. Or cash money.”

“What if I don’t have any books with me?”

“Then

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