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The Illustrated Gormenghast Trilogy - Mervyn Peake [1]

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Forty-One

Chapter Forty-Two

Chapter Forty-Three

Chapter Forty-Four

Chapter Forty-Five

Chapter Forty-Six

Chapter Forty-Seven

Chapter Forty-Eight

Chapter Forty-Nine

Chapter Fifty

Chapter Fifty-One

Chapter Fifty-Two

Chapter Fifty-Three

Chapter Fifty-Four

Chapter Fifty-Five

Chapter Fifty-Six

Chapter Fifty-Seven

Chapter Fifty-Eight

Chapter Fifty-Nine

Chapter Sixty

Chapter Sixty-One

Chapter Sixty-Two

Chapter Sixty-Three

Chapter Sixty-Four

Chapter Sixty-Five

Chapter Sixty-Six

Chapter Sixty-Seven

Chapter Sixty-Eight

Chapter Sixty-Nine

Chapter Seventy

Chapter Seventy-One

Chapter Seventy-Two

Chapter Seventy-Three

Chapter Seventy-Four

Chapter Seventy-Five

Chapter Seventy-Six

Chapter Seventy-Seven

Chapter Seventy-Eight

Chapter Seventy-Nine

Chapter Eighty

Chapter Eighty-One

Chapter Eighty-Two

Chapter Eighty-Three

Chapter Eighty-Four

Chapter Eighty-Five

Chapter Eighty-Six

Chapter Eighty-Seven

Chapter Eighty-Eight

Chapter Eighty-Nine

Chapter Ninety

Chapter Ninety-One

Chapter Ninety-Two

Chapter Ninety-Three

Chapter Ninety-Four

Chapter Ninety-Five

Chapter Ninety-Six

Chapter Ninety-Seven

Chapter Ninety-Eight

Chapter Ninety-Nine

Chapter One Hundred

Chapter One Hundred and One

Chapter One Hundred and Two

Chapter One Hundred and Three

Chapter One Hundred and Four

Chapter One Hundred and Five

Chapter One Hundred and Six

Chapter One Hundred and Seven

Chapter One Hundred and Eight

Chapter One Hundred and Nine

Chapter One Hundred and Ten

Chapter One Hundred and Eleven

Chapter One Hundred and Twelve

Chapter One Hundred and Thirteen

Chapter One Hundred and Fourteen

Chapter One Hundred and Fifteen

Chapter One Hundred and Sixteen

Chapter One Hundred and Seventeen

Chapter One Hundred and Eighteen

Chapter One Hundred and Nineteen

Chapter One Hundred and Twenty

Chapter One Hundred and Twenty-One

Chapter One Hundred and Twenty-Two

COPYRIGHT

About the Book


Enter the world of Gormenghast. The vast crumbling castle to which the seventy-seventh Earl, Titus Groan, is Lord and heir. Titus is expected to rule this Gothic labyrinth of turrets and dungeons, cloisters and corridors as well as the eccentric and wayward subjects. Things are changing in the castle and Titus must contend with a kingdom about to implode beneath the weight of centuries of intrigue, treachery, manipulation and murder...

About the Author


Mervyn Peake was born in 1911 in Kuling, Central Southern China. He was educated at the Croydon School of Art and the Royal Academy Schools. A gifted book illustrator, he is remembered for Ride a Cock Horse, The Hunting of the Snark, The Rime of The Ancient Mariner, Alice’s Adventures in Wonderland, Grimm’s Household Tales and Treasure Island. He is best known for his fictional masterpieces Titus Groan (1946), Gormenghast (1950) and Titus Alone (1959). Mervyn Peake died in 1968.

MERVYN PEAKE

THE ILLUSTRATED

GORMENGHAST

TRILOGY


Titus Groan

Gormenghast

Titus Alone


WITH AN INTRODUCTION BY

China Miéville

Introduction


‘Gormenghast’.

With its first word the work declares itself. Establishes its setting and has us abruptly there, in the castle and the stone. There is no slow entry, no rabbit-hole down which to fall, no backless wardrobe, no door in the wall. To open the first book is not to enter but to be already in Peake’s astonishing creation.

So taken for granted, indeed, is this totality, this impossible place, that we commence with qualification. ‘Gormenghast’, Peake starts, ‘that is, the main massing of the original stone’, as if, in response to that opening name, we had interrupted him with a request for clarification. We did not say ‘What is Gormenghast?’, but: ‘Gormenghast? Which bit?’

It is a sly and brilliant move. Asserting the specificity of a part, he better takes as given the whole – of which, of course, we are in awe. This faux matter-of-fact method makes Gormenghast, its Hall of Bright Carvings, its Tower of Flints, its roofscapes, ivy-shaggy walls, its muddy environs and hellish kitchens so much more present and real

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