The Illustrated Gormenghast Trilogy - Mervyn Peake [213]
What eyes had they for such ephemera? Those webs to them were screens to aid or hinder. To snare with or be snared by. These were the features of Death’s battleground. Swelter’s shadowy moonless body at the door was intersected by the brilliant radii and jerking perimeters of a web that hung about halfway between himself and Mr Flay. The centre of the web coincided with his left nipple. The spacial depths between the glittering threads of the web and the chef seemed abysmic and prodigious. He might have belonged to another realm. The Hall of Spiders yawned and shrank, the threads deceiving the eye, the distances, shifting, surging forward or crumbling away, to the illusory reflectings of the moon.
Swelter did not stay by the door longer than it took him to gain a general impression of the kind of hovel in which the thin man chose to protect his long bones. Seeping with malice, yet the chef was not inclined to under-rate the guile of his antagonist. He had been lured here for some reason. The arena had not been of his choosing. He swivelled his eyes to left and right, his cleaver poised before him. He noted the encumbrances – the haphazard beams, dusty and half decayed, and the omnipresent awnings of the spiders. He could not see why these should be more to his disadvantage than to the man he intended to sever.
Flay had never had a concrete reason for his choice of the Hall of Spiders. Perhaps it was because he imagined that he would prove more agile among the webs and beams; but this he now doubted, having found how swiftly the chef had followed him. But that he had fulfilled his intention of inveigling his enemy to the place of his own choosing must surely infer that the initiative once again lay with him. He felt himself to be a thought ahead of the cook.
He held the long sword ahead of him as he watched the great creature approach. Swelter was sweeping aside the webs that impeded him with his cleaver, keeping his eyes upon Mr Flay and shifting his head on his neck from side to side in order to improve his view. He came to a halt and with his eyes perpetually fixed on Mr Flay began to drag away the clinging cobwebs from the blade and handle of his weapon.
He came forward again, sweeping the cleaver in a great arc before him and treading gingerly over the slanting timbers, and then seemed about to halt once more in order to repeat the unwebbing process when, with an obvious change of purpose, he moved forward as though no obstacles were in his path. He seemed to have decided that to be continually reconditioning himself and his weapon during the blood-encounter was ill-advised and untimely, not to say an insult to the occasion.
As pirates in the hot brine-shallows wading, make, face to face, their comber-hindered lunges, sun-blind, fly-agonied, and browned with pearls, so here the timbers leaned, moonlight misled and the rank webs impeded. It was necessary to ignore them – to ignore them as they tickled the face and fastened themselves about the mouth and eyes. To realize that although between the sword and the hand, the hand and the elbow, the elbow and the body, the silvery threads hung like tropical festoons, and although the naked steel was as though delivered in its caul, that the limbs were free to move, as free as ever before. The speed of the swung cleaver would in no way be retarded. The secret was to ignore.
So Swelter moved forward, growing at each soft, deft pace more and more like something from the deeps where the grey twine-weed coils the sidling sea-cow. Suddenly stepping into a shaft of moonlight he flamed in a network of threads. He peered through a shimmering mesh. He was gossamer.
He concentrated his entire sentience on the killing. He banished all irrelevancies from his canalized mind. His great ham of a