The Illustrated Gormenghast Trilogy - Mervyn Peake [301]
What was this shock of love? A rattle-snake; a dell of silky grass; some great rocks with lizards and ferns, and the green forest wall. Why should these add up to so thrilling, so breathtaking a total?
He knotted the reins loosely about the pony’s neck and gave it a long push in the direction of Gormenghast. ‘Go home,’ he said. The pony turned her head to him at once and then, tossing it to and fro, began to move away. In a few moments she had disappeared over the rise in the ground, and Titus was truly alone.
SEVENTEEN
The morning classes had begun. In the schoolrooms a hundred things were happening at the same time. But beyond their doors there was drama of another kind: a drama of scholastic silence, for in the deserted halls and corridors that divided the classes it surged like a palpable thing and lapped against the very doors of the classrooms.
In an hour’s time the usher would rattle the brass bell in the Central Hall and the silence would be shaken to bits as, erupting from their various prisons, a world of boys poured through the halls like locusts.
In the classrooms of Gormenghast, as in the Masters’ Common-room, the walls were of horsehide. But this was the only thing they had in common, for the moods of the various rooms and their shapes could not be more various.
Fluke’s room, for instance, was long, narrow and badly lit from a small top-window at the far end. Opus Fluke lay in an arm-chair, draped with a red rug. He was in almost total shadow. Although he could hardly make out the boys in front of him, he was in a better position than they were, for they could not see him at all. He had no desk in front of him, but sat there, as it were, in the open darkness. One or two text-books were littered about the floor beneath his chair for the sake of form. The dust lay over them so thickly that they were like grey swellings. Mr Fluke had not yet discovered that they had been nailed into the floorboards for over a year.
Perch-Prism’s room was deadly square and far too well lit to please the neophytes. Only the leather walls were musty and ancient, and even they were scrubbed and oiled from time to time. The desks, the benches and the floor-boards were scoured with soda and boiling water every morning, so that apart from the walls there was a naked whiteness about the room which made it quite the most unpopular. Cribbing was almost impossible in that cruel light.
Flannelcat’s room was a short tunnel with a semi-circular glass window which filled in the whole of the near end. In contrast to Fluke, sitting in the shadows, Mr Flannelcat perched aloft at a very high desk presented a different picture. As the only light in the room poured in from behind him, Mr Flannelcat might as well, in the eyes of his pupils, have been cut out of black paper. There he sat against the bright semi-circular window at the end of the tunnel, his silhouetted gestures jerking to and fro against the light. Through the window could be seen the top of Gormenghast Mountain, and this morning, floating lazily, over its shining head, were three small clouds like dandelion seeds.
But of the numerous classrooms of Gormenghast, each one with its unique character, there was, that morning, one in particular. It lay upon one of the upper floors, a great, dreamy hall of a place with far more desks than were ever used and far more space than was ever (academically) needed. Great strips of its horse-hide hung away from the walls.
The window of the classroom faced to the south, so that the floor which had never been stained was bleached, and the ink that had been spilt, term after term, had faded to so beautiful and wan a blue that the floorboards had an almost faery colouring. Certainly there was nothing else particularly faery about the place.
What, for instance, was that sacklike monster, that snoring hummock, that deadweight of disjointed horror? Vile and brutish it looked as it lay curled