The Illustrated Gormenghast Trilogy - Mervyn Peake [39]
‘Something has happened,’ she said, ‘something no one’s told me of. They haven’t told me, I don’t like them. I don’t like any of them. What are they all doing like a lot of ants down there? Why aren’t they working like they should be?’ She turned around and faced her little room.
Everything was changed, she picked up one of the pears and bit a piece out of it abstractedly. She had looked forward to a morning of rumination and perhaps a play or two in the empty attic before she climbed down the stairs again to demand a big tea from Mrs Slagg. There was something portentous in the group far below her. Her day was disrupted.
She looked around at the walls of her room. They were hung with pictures once chosen as her favourites from among the scores that she had unearthed in the lumber room. One wall was filled with a great mountain scene where a road like a snake winding around and around the most impressive of crags was filled with two armies, one in yellow and the other, the invading force battling up from below, in purple. Lit as it were by torch-light the whole scene was a constant source of wonder to Fuchsia, yet this morning she gazed at it blankly. The other walls were less imposingly arranged, fifteen pictures being distributed among the three. The head of a jaguar; a portrait of the twenty-second Earl of Groan with pure white hair and a face the colour of smoke as a result of immoderate tattooing, and a group of children in pink and white muslin dresses playing with a viper were among the works which pleased her most. Hundreds of very dull heads and full-length portraits of her ancestors had been left in the lumber room. What Fuchsia wanted from a picture was something unexpected. It was as though she enjoyed the artist telling her something quite fresh and new. Something she had never thought of before.
A great writhing root, long since dragged from the woods of Gormenghast Mountain, stood in the centre of the room. It had been polished to a rare gloss, its every wrinkle gleaming. Fuchsia flung herself down on the most imposing article in the room, a couch of faded splendour and suavity of contour in which the angles of Fuchsia’s body as she lay in a half sprawl were thrown out with uncompromising severity. Her eyes which, since she had entered the attic, had taken on the calm expression so alien to her, were now smouldering again. They moved about the room as though they were seeking in vain a resting place, but neither the fantastic root, nor the ingenious pattern in the carpet below her had the power to hold them.
‘Everything’s wrong. Everything. Everything,’ said Fuchsia. Again she went to the window and peered down at the group in the quadrangle. By now it had grown until it filled all that was visible of the stone square. Through a flying buttress to the left of her she could command a view of four distant alleys in a poor district of Gormenghast. These alley-ways were pranked with little knots of folk, and Fuchsia believed that she could hear the far sound of their voices rising through the air. It was not that Fuchsia felt any particular interest in ‘occasions’ or festivities which might cause excitement below, but that this morning she felt acutely aware that something in which she would become involved was taking place.
On the table lay a big coloured book of verses and pictures. It was always ready for her to open and devour. Fuchsia would turn over the pages and read the verses aloud in a deep dramatic voice. This morning she leaned forward and turned over the pages listlessly. As she came upon a great favourite she paused and read it through slowly, but her thoughts were elsewhere.
THE FRIVOLOUS CAKE
A freckled and frivolous cake there was
That sailed on a pointless sea,
Or any lugubrious lake there was
In a manner emphatic and free.
How jointlessly, and how jointlessly
The frivolous cake sailed by
On the waves