The Illustrated Gormenghast Trilogy - Mervyn Peake [390]
It was perhaps the pride of the subjugated – a compensatory thing – but it was very real to them. Nor was it built on nothing, for in their carvings alone they showed a genius for colour and for ornament that had no kind of counterpart in the life of the Castle.
Taciturn and bitter as they were in their ancient antipathies yet their hottest enmity was directed, not against any that lived within the outer walls, but against those of their own kind who in any way made light of their own customs. At the heart of their ragged and unconventional life there was an orthodoxy as hard as iron. Their conventions were ice-bound. To move among them for a day without forewarning of their innumerable conventions would be to invite disaster. Side by side with an outrageous lack of the normal physical decencies was an ingrained prudery, vicious and unswervingly cruel.
For a child to be illegitimate was for that child to be loathed, as though it were a diseased thing. Not only this. A bastard babe was feared. There was a strong belief that in some way a love-child was evil. The mother would invariably be ostracized but it was only the babe who was to be feared – it was, in fact, a witch in embryo.
But it was never killed. For to kill, it would be only to kill the body. Its ghost would haunt the killer.
In a lane of flies that wound beneath a curve of the Outer Walls, the dusk began to settle down like pollen. It thickened by degrees until the lane and the irregular roofs of reeds and mud were drowned in it.
Along the wall of the lane or alleyway a line of beggars squatted. It seemed that they were growing out of the dust they sat in. It covered their ankles and their haunches. It was like a dead, grey sea. It was as though the tide were in – a tide of soft dust. It was voluptuously fine and feathery.
And in this common dove-coloured dust, they sat, their backs to the clay walls of a sun-warmed hovel. They had these luxuries, the soft dust and the warm fly-filled air.
As they sat there silently, while the night descended, their eyes were fixed upon those few figures on the other side of the alley, who, their carving over for the day, were gathering up their chisels, rasps and mallets and returning with them to their various huts.
Until a year ago there had been no need for the Bright Carvers to return their sculpture to the safety of their homes. It had remained all night in the open. It was never touched. No, not the meanest vandal of them all would dare to touch or move by an inch the work of another.
But now there was a difference. The carvings were no longer safe. Something horrible had happened. And so the beggars by the wall continued to stare as the removal of the wood sculpture proceeded. It had been going on now for twelve months, evening after evening, but they were not yet used to it. They could not grasp it. All their lives they had known the moonlight on the deserted lanes, and, flanking these lanes the wooden carvings like sentinels at every door. But now, after dark, the heart had gone out of the streets – a vibrancy, a beauty had departed from the alleys.
And so they still watched,