The Illustrated Gormenghast Trilogy - Mervyn Peake [409]
Titus walked by his mother’s side. For all the interest in the scene before him he could not help turning his eyes to his mother’s face. Its vague, almost mask-like character was something which he was beginning to suspect of being no index to her state of mind. For more than once she had gripped his shoulder in her big hand and led him from the path and without a word she had shown him, all but shrouded by the ivy on a tree stem, a cushion of black star-moss. She had turned off a rough track, and then pointed down a small snow-filled gully to where a fox had rested. Every now and again she would pause and gaze at the ground, or into the branches of a tree, but Titus, stare as he would, could see nothing remarkable.
For all that the birds had died in their thousands, yet as Titus and his mother drew near to a strip of woodland where the snow had melted from the boughs, and small streams were running over the stones and snow-flattened grass, they could see that the trees were far from empty.
The Countess paused, and holding Titus by his elbow, they stood motionless. A bird whistled and then another, and then suddenly the small kingfisher, like a blue legend, streaked along a stream.
The cats were leagues away. They breathed the sharp air into their lungs. They roamed to the four quarters. They powdered the horizons.
The Countess whistled with a shrill sweet note, and first one bird and then another flew to her. She examined them, holding them cupped in her hands. They were very thin and weak. She whistled their various calls and they responded as they hopped about her or sat perched upon her shoulders, and then, all at once a fresh voice from the wood silenced the birds. At every whistle of the Countess, this new answer came, quick as an echo.
Its effect on the Countess seemed out of all reason.
She turned her head. She whistled again and her whistle was answered, quick as an echo. She gave the calls of a dozen birds and a dozen voices echoed her with an insolent precision. The birds about her feet and on her shoulders had stiffened.
Her hand was gripping Titus’ shoulder like an iron clamp. It was all he could do not to cry out. He turned his head with difficulty and saw his mother’s face – the face that had been so calm as the snow itself. It had darkened.
It was no bird that was answering her; that much she knew. Clever as it was, the mimicry could not deceive her. Nor did it seem that whatever gave vent to the varying calls was anxious to deceive. There had been something taunting about the rapidity with which each whistle of the Countess had been flung back from the wood.
What was it all about? Why was his arm being gripped? Titus, who had been fascinated by his mother’s power over the birds, could not understand why the calls from the wood should have so angered her. For she trembled as she held him. It seemed as though she were holding him back from something, as though the wood was hiding something that might hurt him – or draw him away from her.
And then she lifted her face to the tree tops, her eyes blazing.
‘Beware!’ she cried and a strange voice answered her.
‘Beware!’ it called and the silence came down again.
From a dizzy perch in a tall pine, the Thing peered through the cold needles and watched the big woman and the boy as they returned to the distant castle.
FIFTY
I
It was not until close upon the Day, that Titus learned how something quite unusual was being prepared for his Tenth birthday. He was by now so used to ceremonies of one kind or another that the idea of having to spend his birthday either performing or watching others perform some time-hardened ritual made no appeal to his imagination. But Fuchsia had told him that there was something quite different about what happened when a child of the line reached the age of ten. She knew, for it had happened to her, although in her case the festivities had been rather spoiled by the rain.
‘I won’t tell you, Titus,’ she had said, ‘it will spoil it if I do. O it’s so lovely.