The Illustrated Gormenghast Trilogy - Mervyn Peake [487]
There was no sign of him on the bay. As far as they could judge they gauged him to be directly below the room to their right which they could see through a connecting door, a largish, square-ish room covered with a layer of dust as soft as velvet.
‘If he’s below there and it were necessary, my lord, we could cut through to him from above …’ and the man began to make his way into the room in question.
‘No! No!’ whispered Titus fiercely. ‘He may hear your footsteps. Come back.’
‘The boats aren’t near enough,’ said another man. ‘I doubt he can get further into the castle. The water’s only four foot from the window top. Sooner or later the doors will all be water jammed. Quite right, my lord. We must be silent.’
‘Then be silent,’ said Titus, and in spite of his anger, the heady wine of autocracy tasted sweet upon his tongue – sweet and dangerous – for he was only now learning that he had power over others, not only through the influence of his birthright but through a native authority that was being wielded for the first time – and all this he knew to be dangerous, for as it grew, this bullying would taste ever sweeter and fiercer and the naked cry of freedom would become faint and the Thing who had taught him freedom would become no more than a memory.
It was while the boats approached and converged and before the castle barges had stationed themselves on either side of the window with their effulgence, and while there was a comparative darkness still brooding upon the water outside the mouth of his lair, that Steerpike decided that he would rather remain for the moment where he was and fight the whole world if necessary with the knowledge that he could not be attacked from the rear, than skim from his retreat only to find himself surrounded in the ‘bay’. It was no easy choice and it is possible that he had not truly made it, before the barge lights flared – but in all events he stayed where he was, and turning his canoe about he made another turn of his dark room. It was then that the sudden yellow light flared cruelly outside the window and stayed – as though a curtain had gone up and the drama had begun. Even as he started at the light, he knew that his enemies could not know for certain that he was in this watery room. They could not possibly know for instance that the inner doors of the room were shut and impassable. They could not be absolutely certain that, although he had been seen passing through the window, he had not passed out again. But how, if ever, to make use of their uncertainty, he had, for the moment, no idea.
There was nothing but the empty picture-hung walls and the water; nothing in the room to help him. And then, for the first time he thought of the ceiling. He looked up and saw that there was but a single layer of floorboards laid across rotting joists. He cursed himself for his delay and immediately began to balance himself upright in his canoe beneath a crumbling patch in the ceiling. As he reached upwards to obtain a grip upon the joists, preparatory to striking, he heard the terrifying sound of footsteps above him and the floorboards trembled within a few inches of his head.
In a moment he had dropped back into the canoe that was now rocking appreciably. The freshening wind was sending sheets of water scurrying through the window across the comparatively even surface of the emprisoned flood.
He was cut off from above and from every side. His eyes were constantly upon the brilliant yellow square of water immediately outside the window. All at once a wave rather heavier than its forerunners sent its spray leaping up to the height of the window top and the wave itself smacked spitefully at the stone support. The dark room had become