The Illustrated Gormenghast Trilogy - Mervyn Peake [489]
For a little while he remained as he was, the sweat pouring over his piebald face, his muscles shrieking for release from so ghastly a strain. For this period he had no doubt that there was no end to this save that of dropping like a dead fly from a wall – dropping into the water below, where, bobbing in the golden torch light below the lintel, he would be picked up by the nearest of his enemies.
But at the height of his pain he began to pull at the entire weight of his body, to pull at it with his single hand whose crooked finger shook in the lintel crack. Inch by inch, moaning to himself as though he were a baby, or a sick dog, he drew the deadweight of his body up until, twisting over a little on one side, he was able to bring his other leg into play. But he could find no kind of irregularity in the stone upright for the questing toe of his shoe.
He rolled his eye in a frenzy of despair. Again he thought he was dropping into the water. But as his eye rolled it had, half-consciously, become aware of a great rusty nail leaning out horizontally from the shadowy joist. It shrivelled and it swelled out, this nail, as he turned his eyes to it again with a blurred conception floating in his mind that he could not at once decipher. But what his thoughts could not define, his arm put into practice. He watched it raise itself, this left arm of his; he watched it lift the canoe gradually until the bows were above his head and then, as a man might hang his hat upon a peg, he hung his craft upon the rusty nail. Now that his left hand was free he was able to get a second purchase upon the lintel crack, and to draw himself upwards with a comparative lack of pain until he was kneeling on all fours upon the twelve-inch protuberance of the heavy lintel.
Where there had been so emphatic a division between the black waves within the room and the yellow waves that tossed beyond the window, there was no longer so sharp a demarcation. The tongues of golden water slithered further into the room and the black tongues flickered out less freely into the outer radiance.
Steerpike was now lying along the shelf face downwards a few feet above the water. He was lowering his head gradually over the window’s upper and northerly corner. A few dead strands of creeper that struggled across the outside wall and blurred to some extent the stone angle provided him with a kind of screen through which it was his intention to gain some knowledge of his enemies’ intentions.
Lowering his head inch by inch he suddenly saw them. A solid wall of boats not twelve feet away surrounded the entrance. They rose and subsided on a dangerous swell. The rain flew down, thin but vicious, slanting across the wet and torchlit faces.
They were armed, not as he had imagined they would be, with firearms but with long knives, and at once he remembered the death-law of the place which decreed that, where possible, all homicides should die in a way as closely resembling the death of their victims as possible. It was obvious that his slaughter of Flay had precipitated the choice of weapons.
The torchlight flamed on the slippery steel. The noses of the boats wedged themselves even closer about the window’s mouth.
Steerpike raised himself and sat back on his haunches. The light in the cave had grown. It was like a gold twilight. He glanced at the hanging canoe. Then he began deliberately, but rapidly to take from his various pockets those few objects that were always on his person.
The knife and the catapult he placed side by side as carefully and neatly as a housewife arranging a mantelpiece. Most of his ammunition he left in his pocket, but a dozen pebbles were formed