The Illustrated Gormenghast Trilogy - Mervyn Peake [493]
As the boat, running forward and striking its nose upon the stones at Steerpike’s side, was about to make for the window below him, Steerpike sprang outwards, and to the left, and fell with a stunning force, for all his lightness, upon the volunteer. There was no time for any struggle, the knife running between the ribs and through the man’s heart three times within as many seconds.
As Steerpike delivered the third of the lightning stabs, the sweat pouring off his face like wet blood in the reflected torch light, he turned his small hot eyes to the ceiling and found that the saw was within an inch of completing the circle. In another moment he would be exposed to the view of the Countess and the searchers.
The corpse was beside him in the boat, which at the impact of his jumping body had shipped a bucket or two of water. Perhaps it was this that slowed her upon her swirling course. Whatever it was, Steerpike was able to jam his foot against a support of the adjacent window and grasping the paddle to force the boat against the weakening sweep of water, until the last of the whirl had poured itself to ‘sea’ again through the window. In the few seconds of respite as he bobbed in the comparative darkness of the outer corner he plucked the broad-brimmed hat of leather from the corpse’s head and thrust it on his own. Then he ripped the coat off the limp and heavy body and got into it at once. There was no time for more … A sound of hammering above told him that the circle of floor-boards was being knocked through. He caught the corpse beneath its knees and under its arms and with a supreme effort toppled it over the side where it sank beneath the restless surge.
It was now up to him to control the skiff, for he wanted not only to keep it from capsizing but to station it below the hole in the ceiling. As he plunged the heavy paddle into the water and forced the skiff to the centre of the room, the circle of wood fell out of the ceiling and a new light from above made a great pool of radiance at the watery centre of Steerpike’s lair.
But Steerpike did not look up. He fought like a demon to keep his boat immediately below the lamplit circle – and then he began to call in a husky voice which, if it was nothing like his victim’s, was certainly nothing like his own.
‘My lady!’ he called.
‘What’s that?’ muttered the Countess in the room above.
A man edged his way towards the opening.
Again the voice from below. ‘Ahoy there! Is the Countess there!’
‘It’s the volunteer,’ cried the man who had gone so far as to peer over the rim of the circular hole. ‘It’s the volunteer, lady! He’s immediately below.’
‘What does he say?’ cried the Countess in a hollow voice, for a black fear tugged at her heart.
‘What does he say, man! For the love of the stones!’
And then she took a step forward so that she could see the broad-brimmed hat and the heavy coat twelve feet below her. She was about to call down to the figure, although the volunteer made no move to raise his head, but it was his voice that broke the silence. For there was a kind of silence, although the rain hissed, and the wind blew, and the waves slapped against the walls. There was a tension which over-rode the natural sounds. And a terror that the grizzly fowl had flown.
The voice came up from under the rim of the hat.
‘Tell her ladyship there’s nothing here! Only a room full of water. There’s no way out but the window. The doors are water-jammed. Nothing but water, tell her. Nowhere to hide an eyelash! He’s gone, if ever he was here, which I doubt.