The Illustrated Gormenghast Trilogy - Mervyn Peake [503]
Steerpike was dead.
When Titus saw that this was indeed so, he collapsed at the knees and then slumped forward out of the ivy and fell face downwards into the open water. At once a cry broke out from a hundred watchers, and his mother, framed by the window overhead, leaned forward and her lips moved a little as she stared down at her son.
She and the watchers from the windows all about her and above her had, of course, seen nothing but the commotion of the ivy leaves at the foot of the wall. Titus had disappeared from the air and had burrowed into the thick and glossy growth, its every heart-shaped leaf had glinted in the moonlight. For long seconds at a time the agitation of the leaves had ceased. And then they had begun again, until suddenly they had seen a fresh disturbance and realized that there were two figures under the ivy.
And when Steerpike had thrown his secrecy away and when Titus had fallen through the chimney of leaves, and while they had exchanged blows, the sound of their struggle and the breaking of branches and the splash and gurgle of the water as their legs moved under the surface – all these noises had sounded across the bay with peculiar clarity. The flotillas, in the meantime, unheard by the protagonists, had once again advanced upon the castle and were now very close to the wall. The captains had expected fresh orders on arriving beneath the walls, but the Countess, immobile in the moonlight, filled up her window like a carving, her hand on the sill, her gaze directed downwards, with motionless concentration. But it was the cry of the cock, triumphant, terrible, that broke the atrophy and when, a little later, Titus fell forward out of the ivy and the blood from his cheek darkened the water about his head, she sent forth a great cry, thinking him dead, and she beat her fist upon the stone sill.
A dozen boats lunged forward to lift his body from the flood, but the boat which had been the first to leave the flotilla some while earlier and whose oars both Titus and Steerpike had heard was in advance of the rest, and was soon alongside the body. Titus was lifted aboard, but directly he had been laid at the bottom of the boat, he startled the awe-struck audience by rising, as it seemed, from the dead, for he stood up, and pointing to that part of the wall from which he had fallen, he ordered the boatmen to pull in.
For a moment the men hesitated, glancing up at the Countess, but they received no help from her. A kind of beauty had taken possession of her big, blunt features. That look which she reserved, unknowingly, for a bird with a broken wing, or a thirsty animal, was now bent upon the scene below her. The ice had been melted out of her eyes.
She turned to those behind her in the room. ‘Go away,’ she said. ‘There are other rooms.’
When she turned back she saw that her son was standing in the bows, and that he was looking up at her. One side of his face was wet with blood. His eyes shone strangely. It seemed that he wished to be sure that she was there above him and was able to see exactly what was happening. For as the body of Steerpike was hauled aboard by the boatmen, he glanced at it and then at her again before a black faint overtook him and his mother’s face whirled in an arc, and he fell forward into the boat as though into a trench of darkness.
SEVENTY-NINE
There was no more rain. The washed air was indescribably sweet. A kind of natural peace, almost a thing of the mind, a kind of reverie, descended upon Gormenghast – descended, it seemed, with the sunbeams by day, and the moonbeams after dark.
By infinitesimal degrees, moment by golden moment, hour by hour, day by day, and month by month the great floodwaters fell. The extensive roofscapes, the slates and stony uplands, the long and slanting sky-fields, and the sloping