The Illustrated Gormenghast Trilogy - Mervyn Peake [580]
Ape gone. Car gone. All gone?
Muzzlehatch felt nothing; only a sense of incredulity that a fragment of his life should be so vividly hung up before him like a picture on the wall of the dark sky. He felt no anguish. All he could feel was a sense of liberation. What burdens had he left upon him, and within him? Nothing but love and vengeance.
These two precluded suicide, though for a moment the lines of watchers stared as Muzzlehatch stood looking down, his feet within an inch or two of the swallowing edge. Suddenly, turning his back upon the precipice and the shadowy congregation he made his way on foot into the birdless forest, and as he strode on and on in the tracks of his out-bound journey, retracing his route, he sang in the knowledge that he would come in the course of time to a region he had left where the scientists worked, like drones, to the glory of science and in praise of death.
Were Titus to have seen him now and noted the wry smile on the face of his friend and the unusual light in his eye, he would surely have been afraid.
SIXTY-NINE
Meanwhile Titus, whose journeyings in search of his home and of himself had taken him through many climates, was now at rest in a cool grey house in the quiet of whose protecting walls he lay in fever.
His face, vivid and animate for all its stillness, lay half submerged in the white pillow. His eyes were shut: his cheeks flushed and his forehead hot and wet. The room about him was high, green, dusky and silent. The blinds were drawn and a sense of an underwater world wavered through the room.
Beyond the windows lay stretched a great park, in whose south-east corner a lake (for all its distance) stabbed the eye with a wild dazzle of water. Beyond the lake, almost on the horizon, arose a factory. It took the sky in its stride, its outline cruising across a hundred degrees, a masterpiece of design. Of all this Titus knew nothing, for his room was his world.
Nor did he know that sitting at the foot of his bed with her eyebrows raised was the scientist’s daughter.
It was well for Titus that he was unable to see her through the hot haze of his fever. For hers was a presence not easily forgotten. Her body was exquisite. Her face indescribably quizzical. She was a modern. She had a new kind of beauty. Everything about her face was perfect in itself, yet curiously (from the normal point of view) misplaced. Her eyes were large and stormy grey, but were set a thought too far apart; yet not so far as to be immediately recognized. Her cheekbones were taut and beautifully carved, and her nose, straight as it was, yet gave the impression of verging, now on the retroussé side, now on the aquiline. As for the curl of her lips, it was like a creature half asleep, something that like a chameleon could change its colour (if not at will, at any rate at a minute’s notice). Her mouth, today, was the colour of lilac blossom, very pale. When she spoke, her pale lips drew themselves back from her small white teeth, and allowed a word or two to wander like a petal that is blown listlessly away. Her chin was rounded like the smaller end of a hen’s egg, and in profile it seemed deliciously small and vulnerable. Her head was balanced upon her neck, and her neck on her shoulders like a balancing act, and the bizarre diversity of her features, incongruous in themselves, came together and fused into a face quite irresistible.
From far below were cries and counter-cries, for the house was full of guests.
‘Cheeta,’ they shouted, ‘where are you? We’re going riding.’
‘Then go!’ said Cheeta, between her pretty teeth.
Great blond men were draped over the banisters, two floors below.
‘Come