The Illustrated Gormenghast Trilogy - Mervyn Peake [612]
A spasm caught hold of her face and for an instant she was no longer Cheeta, the invincible, the impeccable; the exquisite midget, but something foul. The twitch or spasm, short as had been its duration, had fixed itself so fiercely that long after her face had returned to normal it was there … that beastly image … as vivid as ever. What had taken a split moment now spread itself so that it seemed to Titus that her face had been there forever; with that extraordinary contortion of her facial muscles which turned a gelid beauty into something fiendish. Something almost ludicrous.
But what no one expected, least of all Titus or Cheeta herself, was that it should be on the ludicrous and not the terrifying that Titus should fix his attention.
Added to this there was another element that tipped the balance in favour of all that can become uncontrolled; for the spectacle of the sprite with her face turned up to his awoke the image of a dog sitting back on its haunches, waiting to be fed.
The icy Cheeta and the face that she unwittingly let loose were so at variance as to be comic. Horribly, inappropriately comic.
Such a sensation can become too powerful for the human body. It is as easy to control as a sliding avalanche. It takes a sacrosanct convention and snaps it in half as though it were a stick. It lifts up some holy relic and throws it at the sun. It is laughter. Laughter when it stamps its feet; when it sets the bells jangling in the next town. Laughter with the pips of Eden in it.
Out of his fear and apprehension something green and incredibly young took hold of Titus and sidled across his entrails. It shot up to the breast-bone: it radiated into separate turnings: it converged again, and, capsizing through him in an icy heat, cartwheeled through his loins, only to climb again, leaving no inch of his weakening body unaffected. Titus was half away. But his face was rigid and he made no sound: not a catch of the breath or a tilt of the lip. There was no penultimate stage of choking, or a visible fight for composure. It came with extraordinary suddenness, the release of pressure: and he made no effort once he had started to laugh, to check himself. He heard his voice soar clean out of register. He followed it. He yelled to and fro to himself as though he were two people calling to one another across a valley. In another moment, in a seismic access, he tore the stuffed owls from their perch. He dropped them to the ground. He could hold them no longer. He gripped his sides with his hands and staggered back into the throne.
Opening one eye as his body ached with a fresh gale of uncontrollable laughter he saw her face before him, and on that instant he was no longer the great belly-roarer: the cracker of goblets, the eye-streaming, arm-dangling, cataleptic wreck of a thing half over the throne, and all but crazed with the delirium of another world: he was suddenly turned to stone, for in her face he read pure evil.
Yet listen to the sweetness of her voice. The words like leaves, are fluttering from the tree. The eyes can no longer pretend. Only the tongue. She fixed him with her black eyes.
‘Did you hear that?’ she said.
Titus never having seen such an expression of loathing on any woman’s face before, answered in a voice as flat as wasteland.
‘Did I hear what?’
‘Someone