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By Root 1869 0

squeezed itself between the thin cracks of the window blind. Even on a hot, stifling, unhealthy afternoon such as this, the blinds were down and the candlelight filled the room with an incongruous radiance. At the sound of the door handle being rattled Rottcodd sat up suddenly. The thin bands of moted light edging their way through the shutters barred his dark head with the brilliance of the outer world. As he lowered himself over the hammock, it wobbled on his shoulders, and his eyes darted up and down the door returning again and again after their rapid and precipitous journeys to the agitations of the door handle. Gripping his feather duster in his right hand, Rottcodd began to advance down the bright avenue, his feet giving rise at each step to little clouds of dust. When he had at last reached the door the handle had ceased to vibrate. Lowering himself suddenly to his knees he placed his right eye at the keyhole, and controlling the oscillation of his head and the vagaries of his left eye (which was for ever trying to dash up and down the vertical surface of the door), he was able by dint of concentration to observe, within three inches of his keyholed eye, an eye which was not his, being not only a different colour to his own iron marble but being, which is more convincing, on the other side of the door. This third eye which was going through the same performance as the one belonging to Rottcodd, belonged to Flay, the taciturn servant of Sepulchrave, Earl of Gormenghast. For Flay to be four rooms horizontally or one floor vertically away from his lordship was a rare enough thing in the castle. For him to be absent at all from his master’s side was abnormal, yet here apparently on this stifling summer afternoon was the eye of Mr Flay at the outer keyhole of the Hall of the Bright Carvings, and presumably the rest of Mr Flay was joined on behind it. On mutual recognition the eyes withdrew simultaneously and the brass doorknob rattled again in the grip of the visitor’s hand. Rottcodd turned the key in the lock and the door opened slowly.

Mr Flay appeared to clutter up the doorway as he stood revealed, his arms folded, surveying the smaller man before him in an expressionless way. It did not look as though such a bony face as his could give normal utterance, but rather that instead of sounds, something more brittle, more ancient, something dryer would emerge, something perhaps more in the nature of a splinter or a fragment of stone. Nevertheless, the harsh lips parted. ‘It’s me,’ he said, and took a step forward into the room, his knee joints cracking as he did so. His passage across a room – in fact his passage through life – was accompanied by these cracking sounds, one per step, which might be likened to the breaking of dry twigs.

Rottcodd, seeing that it was indeed he, motioned him to advance by an irritable gesture of the hand and closed the door behind him.

Conversation was never one of Mr Flay’s accomplishments and for some time he gazed mirthlessly ahead of him, and then, after what seemed an eternity to Rottcodd he raised a bony hand and scratched himself behind the ear. Then he made his second remark, ‘Still here, eh?’ he said, his voice forcing its way out of his face.

Rottcodd, feeling presumably that there was little need to answer such a question, shrugged his shoulders and gave his eyes the run of the ceiling.

Mr Flay pulled himself together and continued: ‘I said still here, eh, Rottcodd?’ He stared bitterly at the carving of the Emerald Horse. ‘You’re still here, eh?’

‘I’m invariably here,’ said Rottcodd, lowering his gleaming glasses and running his eyes all over Mr Flay’s visage. ‘Day in, day out, invariably. Very hot weather. Extremely stifling. Did you want anything?’

‘Nothing,’ said Flay and he turned towards Rottcodd with something menacing in his attitude. ‘I want nothing.’ He wiped the palms of his hands on his hips where the dark cloth shone like silk.

Rottcodd flicked ash from his shoes with the feather duster and tilted his bullet head. ‘Ah,’ he said in a non-committal way.

‘You say