The In Death Collection Books 16-20 - J. D. Robb [52]
“Yes. Our building and four others.”
“Security cams?”
“No. There used to be, but someone was always jamming them or zapping them, until it was more cost prohibitive to continually repair than to put up with a few parking poachers.”
“The owner lives upstairs?”
“Hastings has the fourth floor for his living quarters, and his studio on three.”
“Is he around today?”
“Oh yes. He has a session in studio right now.”
“Any of this stuff his work?”
“All of it. Hastings is very, very talented.”
“I’ll need to talk to him. Peabody, come up after you’ve got the data from Sales.”
“Oh, but—he’s working,” Lucia protested.
“Me, too.” Eve started toward the elevator with Lucia, now animated, clipping after her. “But Hastings is in a session. He can’t be disturbed.”
“Wanna bet?” She glanced down when Lucia clamped a hand on her arm. “You really don’t want to do that.”
The tone, utterly flat, had Lucia snatching her hand back again. “If you could just wait until he’s finished—”
“No.” Eve stepped on the elevator. “Level Three,” she ordered, and watched the horrified Lucia until the doors whispered closed.
She stepped off again into a blast of high-tech music that pumped, hot as summer, into the white-walled studio. Equipment—lights, filters, fans, gauzy screens—was centered around a staged area where a buck-naked model draped herself, in various athletic positions, over a huge red chair.
The model was black, and Eve’s estimate put her at six feet tall. She was lean as a greyhound, and appeared to have joints made of jelly.
There were three cameras on tripods, and another held by a burly man in baggy jeans and a loose blue shirt. Two others, a tiny woman in a sleeveless black skinsuit and a young man with a tumbling crop of orange hair, looked on with expressions of concentrated concern.
Eve stepped toward the set, started to speak. The young woman turned slightly, spotted her. Shock covered her face first, and was immediately chased by horror.
If Eve hadn’t seen the same look on Lucia’s face, she might have drawn her weapon and spun to confront whatever terrible danger lurked at her back.
Instead, she kept moving forward, close enough to catch the guppy gulps of distress from the woman, then the choked gasp from the young man. The model met Eve’s eyes with a bright glint of humor, and smirked.
“No smile!” This exploded from the man with the camera in a tone that had both assistants jumping, and the model simply relaxing her lips as she bowed her body like a long supple willow branch over the chair.
“You’ve got company, honey.” She purred it, velvet-voiced, as she gestured with an endless and fluid arm.
He whirled, lowering his camera.
The snarl came first, and she had to admit, it was impressive. She’d never seen an actual bear, but she’d seen pictures. He had the look, and with the snarl, the sound of one.
He was a solid three inches over six feet, and a generous two-eighty, by her estimate. Wide of chest, thick of arm, with hands as big as serving platters.
And dead ugly. His eyes were small and muddy, his nose flat and spread over much of his face, his lips were flabby. At the moment, veins were bulging and pulsing in his domed-forehead, and over the shiny ball of his shaved head.
“Get out!” He banged a fist on his own bald head as he shouted as if he were trying to dislodge small demons that lived in his brain. “Get out before I kill you.”
Eve pulled out her badge. “You want to be careful using that particular part of speech to a cop. I need to ask you some questions.”
“A cop? A cop? I don’t give a flying fuck if you’re a cop. I don’t give a flying fuck if you’re God Almighty come for Judgment Day. Get out, or I’ll twist your arms off your shoulders and beat you to bloody death with them.”
She had to give it to him, that was a good one. As he started toward her, she shifted her weight. And when one of his beefy hands reached for her, she kicked him, full out, in the balls.
He went down like a tree, face first,