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The In Death Collection Books 21-25 - J. D. Robb [624]

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way? So, she’s had a bunch. Works with someone until they don’t want anymore, or does monthly follow-ups. Before she starts she does this basic analysis—sort of like a proposal, I think. Tons of them in there. But this one…”

McNab tapped one of his fingers on the comp screen. “She created sixteen days ago, and she’s finessed and updated it here and there since. Up to the night before she poofed. She made a disc copy of it, which isn’t anywhere in her files.”

“Took it with her,” Eve concluded as she studied the wall screen. “Took the proposal to the client. TED.”

“His name, or the name he gave her. She has all her private clients listed by first name on the individualized programs she worked up.”

“Height, weight, body type, measurements, age.” Eve felt a little giddy herself. “Medical history, at least as he gave it to her. Goals, suggested equipment and training programs, nutrition program. Thorough. Boys and girls,” Eve announced. “We’ve got our first description. Unsub is five feet, six and a quarter inches, at a weight of a hundred and sixty-three pounds. A little paunchy, aren’t you, you son of a bitch? Age seventy-one. Carries some weight around the middle, according to these measurements.”

She kept her eyes on the screen. “Peabody, contact all officers in the field, relay this description. McNab, go through the comps from BodyWorks, find us Ted. Callendar, do a search on York’s electronics for this name, for any instruction program she might have written that includes body type, age. Anything that coordinates or adds to this data.”

She turned. “Roarke, give me anything you’ve got. You and I will start contacting the women on your list, find out if they’ve been contacted or approached by anyone requesting a home visit. Uniforms, back to canvass, making inquiries about a man of this description. Baxter, Trueheart, you’re back to the club, back to the fitness center. Jog somebody’s memory. I need a station, a d and c. We’ve got a hole. Let’s pull this bastard out of it.”

He sighed as he stepped back from his worktable. “You’re a disappointment to me Gia. I had such high hopes for you.”

He’d hoped the rousing chorus from Aida would snap her back, at least a bit, but she simply lay there, eyes open and fixed.

Not dead—her heart still beat, her lungs still worked. Catatonic. Which was, he admitted as he moved over to wash and sterilize his tools, interesting. He could slice and burn, gouge and snip without any reaction from her.

And that was the problem, of course. This was a partnership, and his current partner was very much absent from the performance.

“We’ll try again later,” he assured her. “I hate to see you fail this way. Physically you’re one of the best of all my girls, but it appears you lack the mental and emotional wherewithal.”

He glanced at the clock. “Only twenty-six hours. Yes, that’s quite a step back. I don’t believe you’ll be breaking Sarifina’s record.”

He replaced his tools, walked back to the table where his partner lay, bleeding from the fresh cuts, her torso mottled with bruising, crosshatched with thin slices.

“I’ll just leave the music on for you. See if it reaches inside that head of yours.” He tapped her temple. “We’ll see what we see, dear. But I’m expecting a guest shortly. Now, I don’t want you to think of her as a replacement, or even a successor.”

He leaned down, kissed her as yet unmarred cheek as kindly as a father might kiss a child. “You just rest awhile, then we’ll try again.”

It was time—time, time, time—to go upstairs. To cleanse and change. Later he would brew the tea, and set out the pretty cookies. Company was coming.

Company was such a treat!

He unlocked the laboratory door, relocked it behind him. In his office, he glanced at the wall screen, tsked at the image of Gia as she lay comatose. He was afraid he would have to end things very soon.

In his spotless white suit he sat at his desk to enter the most current data. She was simply not responding to any stimuli, he mused as he noted down her vital signs, the methods and music used in the last thirty minutes of

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