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“There never is anyone when Pierpont or one of his guests attend.” Jessica smiled as she held out the plate of cookies. “That’s rather odd, isn’t it?”

Buys up the other tickets in the box,” Eve said when they were in the car. “Doesn’t want anyone else nearby, disturbing him, or getting too close.”

“We’ll stake out the opera.” Peabody pulled out her book to key in some notes. “Maybe he’ll need another fix.”

“Yeah, we’ll set that up. His stepmother. That’s who the women represent. That’s whose picture he carries in his wallet. Idealizes and demonizes her at the same time.”

“You sound like Mira.”

“It’s what plays. He kills her, again and again—probably re-creating her actual death. Then he washes her, lays her on white linen. Her time ran out, so he sees that time runs out for the ones he picks to represent her. That’s the core of it, with the cross in the Urbans. She clocked out in the Urbans, and I’m betting on the date he’s used for his fake wife in the Pierpont data.”

“The wife thing—the wedding band. His stepmother, but also his fantasy woman,” Peabody theorized. “His bride. He doesn’t rape her, that would shatter the fantasy. Not sexual, but romantic. Pathologically romantic.”

“Now who’s Mira? We start searching for women of her description who died on or about the date in the Pierpont data.”

“A lot of deaths weren’t recorded during the Urbans.”

“Hers will be.” Eve whipped the wheel to change lanes and shoehorn herself into a minute opening in the clog of traffic. “He’d have seen to it. It would’ve been here in New York. New York’s the beginning and the end for him. We find her, and she’ll lead us to him.”

Eve heard the internal clock in her head ticking, ticking, ticking away the time. And thought of Ariel Greenfeld.

She didn’t know it was possible to experience such pain, to survive it. Even when he stopped—she’d thought he would never stop—her body burned and bled.

She’d wept and she’d screamed. In some part of Ariel’s mind, she’d understood he’d enjoyed that. He’d been entertained by her helpless shrieks, wild sobs, and desperate struggles.

She lay now, shivering in shock while voices twined through the air in a language she didn’t understand. Italian? she wondered, fighting to focus, to stay conscious. It was probably Italian. He’d played music while he’d hurt her, and her screams had cut through the voices then as his nasty little knives had cut through her flesh.

Ariel imagined using them on him. She’d never been violent. In fact, she’d been a pitiful failure in the basic defense classes she’d taken with a couple friends. Weakfeld, they’d called her, she remembered. And they’d all laughed because they’d never believed, not really, that any of them would ever have to use the punches and kicks they’d tried to learn.

She was a baker, that’s all. She liked to cook and create cakes and cookies and pastries that made people smile. She was a good person, wasn’t she? She couldn’t remember ever hurting anyone.

Maybe she’d toked a little Zoner in her teens, and that was wrong. Technically. But she hadn’t caused anyone any harm.

But she found the idea of causing him harm dulled the pain. When she imagined herself breaking free, grabbing one of the knives and just plunging it into his soft belly, she didn’t feel so cold.

She didn’t want to die this way, this horrible way. Someone would come, she told herself. She had to hold on, had to survive until someone came and saved her.

But when he came back, everything inside her cringed. Tears flooded her throat and her eyes so that even her whimpers were drowned.

“That was a nice break, wasn’t it?” he said in that hideously pleasant voice. “But we have to get back to work. Now then, let’s see. What’s it to be?”

“Mr. Gaines?” Don’t scream, she ordered herself. Don’t beg. He likes that.

“Yes, my dear?”

“Why did you pick me?”

“You have a pleasing face and lovely hair. Good muscle tone in your arms and legs.” He picked up a small torch. She had to bite back a moan as he turned it on with a low hiss, narrowed