Online Book Reader

Home Category

The Information - James Gleick [48]

By Root 859 0
was pending. The information was conveyed by the state of a latch. For the first time, but not the last, a device was invested with memory. “It is in effect a memorandum taken by the machine,” wrote his publicizer, Dionysius Lardner. Babbage himself was self-conscious about anthropomorphizing but could not resist. “The mechanical means I employed to make these carriages,” he suggested, “bears some slight analogy to the operation of the faculty of memory.”

In ordinary language, to describe even this basic process of addition required a great effulgence of words, naming the metal parts, accounting for their interactions, and sorting out interdependencies that multiplied to form a long chain of causality. Lardner’s own explanation of “carrying,” for example, was epic.♦ A single isolated instant of the action involved a dial, an index, a thumb, an axis, a trigger, a notch, a hook, a claw, a spring, a tooth, and a ratchet wheel:

Now, at the moment that the division between 9 and 0 on the dial B2 passes under the index, a thumb placed on the axis of this dial touches a trigger which raises out of the notch of the hook which sustains the claw just mentioned, and allows it to fall back by the recoil of the spring, and drop into the next tooth of the ratchet wheel.

Hundreds of words later, summing up, Lardner resorted to a metaphor suggesting fluid dynamics:

There are two systems of waves of mechanical action continually flowing from the bottom to the top; and two streams of similar action constantly passing from the right to the left. The crests of the first system of adding waves fall upon the last difference, and upon every alternate one proceeding upwards.… The first stream of carrying action passes from right to left along the highest row and every alternate row.

This was one way of abstracting from the particular—the particulars being so intricate. And then he surrendered. “Its wonders, however, are still greater in its details,” he wrote. “We despair of doing it justice.”

Nor were ordinary draftsman’s plans sufficient for describing this machine that was more than a machine. It was a dynamical system, its many parts each capable of several modes or states, sometimes at rest and sometimes in motion, propagating their influence along convoluted channels. Could it ever be specified completely, on paper? Babbage, for his own purposes, devised a new formal tool, a system of “mechanical notation” (his term). This was a language of signs meant to represent not just the physical form of a machine but its more elusive properties: its timing and its logic. It was an extraordinary ambition, as Babbage himself appreciated. In 1826 he proudly reported to the Royal Society “On a Method of Expressing by Signs the Action of Machinery.”♦ In part it was an exercise in classification. He analyzed the different ways in which something—motion, or power—could be “communicated” through a system. There were many ways. A part could receive its influence simply by being attached to another part, “as a pin on a wheel, or a wheel and pinion on the same axis.” Or transmission could occur “by stiff friction.” A part might be driven constantly by another part “as happens when a wheel is driven by a pinion”—or not constantly, “as is the case when a stud lifts a bolt once in the course of a revolution.” Here a vision of logical branching entered the scheme: the path of communication would vary depending on the alternative states of some part of the machine. Babbage’s mechanical notation followed naturally from his work on symbolic notation in mathematical analysis. Machinery, like mathematics, needed rigor and definition for progress. “The forms of ordinary language were far too diffuse,” he wrote. “The signs, if they have been properly chosen, and if they should be generally adopted, will form as it were an universal language.” Language was never a side issue for Babbage.

He finally won a university post, at Cambridge: the prestigious Lucasian Professorship of Mathematics, formerly occupied by Newton. As in Newton’s time, the work was not

Return Main Page Previous Page Next Page

®Online Book Reader