The Inner Circle - Brad Meltzer [211]
He turned to lean over a computer printout with a sigh. It was now clear the Museum should never have borrowed one hundred million for its new state-of-the-art planetarium. More cuts were needed. Heads would have to roll. Well, at least that shouldn’t be too hard to accomplish. The Museum was full of useless, tweedy, overpaid curators and functionaries, always whining about budget cuts, never answering their phones, always off on some research trip spending the Museum’s money or writing books that nobody ever read. Cushy jobs, sinecures, unable to be fired because of tenure—unless exceptional circumstances existed.
He put the printout through a nearby shredder, then opened a drawer and pulled out several tied packets of interoffice correspondence. The mail of a dozen likely candidates, intercepted thanks to a man in the mailroom who had been caught organizing a Super Bowl pool on Museum time. With any luck, he’d find plenty of exceptional circumstances inside. It was easier—and easier to justify—than scanning e-mail.
Brisbane shuffled the packets without interest. Then he stopped, glancing at one of them. Here was a case in point: this man Puck. He sat in the Archives all day long, doing what? Nothing, except causing trouble for the Museum.
He untied the packet, riffled through the envelopes within. On the front and back of each were dozens of lines for addresses. The envelopes had a little red tie string and could be reused until they fell apart, simply by adding a new name to the next blank line. And there, on the second-to-last line was Puck’s name. And following it was Nora’s name.
Brisbane’s hand tightened around the envelope. What was it that arrogant FBI agent, Pendergast, had said? Most of the work will be archival in nature.
He unwound the string and slid out a single piece of paper. A whiff of dust rose from the envelope and Brisbane hastily raised a protective tissue to his nose. Holding the paper at arm’s length, he read:
Dear Dr. Kelly,
I found another small box of papers on Shottum’s Cabinet, which somehow had been recently misplaced. Not nearly as astonishing as what you have already uncovered, yet interesting in its own way. I will leave it for you in the Archives Reading Room.
P.
Color crept into Brisbane’s face, then drained out again. It was just as he thought: she was still working for that arrogant FBI agent, and she was continuing to enlist Puck’s help. This thing had to be stopped. And Puck had to go. Just look at this note, Brisbane thought: manually typed on what was clearly an ancient typewriter. The very inefficiency of it made Brisbane’s blood boil. The Museum was not a welfare program for eccentrics. Puck was a fossilized anachronism who should have been put out to pasture long before. He would gather suitable evidence, then draw up a recommended termination list for the next Executive Committee meeting. Puck’s name would be at the top.
But what about Nora? He remembered the words of the Museum director, Collopy, at their recent meeting. Doucement, doucement, the director had murmured.
And softly it would be. For now.
SEVEN
SMITHBACK STOOD ON THE SIDEWALK, MIDWAY BETWEEN Columbus and Amsterdam, gazing speculatively up at the red-brick facade before him. One hundred eight West Ninety-ninth Street was a broad, prewar apartment house, unembarrassed by any distinguishing architecture, bright in the noonday sun. The bland exterior didn’t bother him. What mattered lay within: a rent-stabilized, two-bedroom apartment, near the Museum, for only eighteen hundred a month.
He stepped