The Innocence of Father Brown [70]
servants; and he consulted with the prince decorously, but somewhat unbendingly-- rather as if he were the prince's solicitor. The sombre housekeeper was a mere shadow in comparison; indeed, she seemed to efface herself and wait only on the butler, and Brown heard no more of those volcanic whispers which had half told him of the younger brother who blackmailed the elder. Whether the prince was really being thus bled by the absent captain, he could not be certain, but there was something insecure and secretive about Saradine that made the tale by no means incredible. When they went once more into the long hall with the windows and the mirrors, yellow evening was dropping over the waters and the willowy banks; and a bittern sounded in the distance like an elf upon his dwarfish drum. The same singular sentiment of some sad and evil fairyland crossed the priest's mind again like a little grey cloud. "I wish Flambeau were back," he muttered. "Do you believe in doom?" asked the restless Prince Saradine suddenly. "No," answered his guest. "I believe in Doomsday." The prince turned from the window and stared at him in a singular manner, his face in shadow against the sunset. "What do you mean?" he asked. "I mean that we here are on the wrong side of the tapestry," answered Father Brown. "The things that happen here do not seem to mean anything; they mean something somewhere else. Somewhere else retribution will come on the real offender. Here it often seems to fall on the wrong person." The prince made an inexplicable noise like an animal; in his shadowed face the eyes were shining queerly. A new and shrewd thought exploded silently in the other's mind. Was there another meaning in Saradine's blend of brilliancy and abruptness? Was the prince-- Was he perfectly sane? He was repeating, "The wrong person--the wrong person," many more times than was natural in a social exclamation. Then Father Brown awoke tardily to a second truth. In the mirrors before him he could see the silent door standing open, and the silent Mr. Paul standing in it, with his usual pallid impassiveness. "I thought it better to announce at once," he said, with the same stiff respectfulness as of an old family lawyer, "a boat rowed by six men has come to the landing-stage, and there's a gentleman sitting in the stern." "A boat!" repeated the prince; "a gentleman?" and he rose to his feet. There was a startled silence punctuated only by the odd noise of the bird in the sedge; and then, before anyone could speak again, a new face and figure passed in profile round the three sunlit windows, as the prince had passed an hour or two before. But except for the accident that both outlines were aquiline, they had little in common. Instead of the new white topper of Saradine, was a black one of antiquated or foreign shape; under it was a young and very solemn face, clean shaven, blue about its resolute chin, and carrying a faint suggestion of the young Napoleon. The association was assisted by something old and odd about the whole get-up, as of a man who had never troubled to change the fashions of his fathers. He had a shabby blue frock coat, a red, soldierly looking waistcoat, and a kind of coarse white trousers common among the early Victorians, but strangely incongruous today. From all this old clothes-shop his olive face stood out strangely young and monstrously sincere. "The deuce!" said Prince Saradine, and clapping on his white hat he went to the front door himself, flinging it open on the sunset garden. By that time the new-comer and his followers were drawn up on the lawn like a small stage army. The six boatmen had pulled the boat well up on shore, and were guarding it almost menacingly, holding their oars erect like spears. They were swarthy men, and some of them wore earrings. But one of them stood forward beside the olive-faced young man in the red waistcoat, and carried a large black case of unfamiliar form. "Your name," said the young man, "is Saradine?" Saradine assented rather