The Iron Puddler [19]
satisfied myself that his mother would be shocked at the news and would at once cut a big switch to give Jack the licking he deserved.
But when I began to tell Mrs. Thomas of her son's crime, she sided with Jack and wouldn't listen to me. "Don't come to me with your troubles, you nasty little whiffet," she cried. "You started the whole thing when you sneaked in and ruined Jack's pigeon eggs. Now that you've got the worst of it you come here with your tattle-tales. You ought to be ashamed to show your face--" She had become so threatening that I turned and ran. My whole case had gone to pieces on her sharp tongue like a toy balloon pricked with a pin. I had been blowing it up until it got so big I couldn't see anything else. It burst right in my face, and there wasn't even a scrap of rubber to tell where it had been.
This taught me one of the best lessons I ever learned. By looking only at his side of a case a man can kid himself into thinking that he is wholly right, that his cause is greater than himself and represents the rights of the entire community. But a counter-blast from the other side will deflate his balloon in a second and he'll come down to earth without even a parachute to soften the jolt when he lands.
I learned that blood is not only thicker than water, but it is thicker than curdled milk, and you can't line up a mother against her own child even if he chased the cows until they got so wild they gave strawberry pop instead of milk. Any argument that goes contrary to human nature has struck a snag before it is started. A man must come into court with clean hands. I had started by rotting the other fellow's eggs and he finished by souring my milk. I wanted justice and I got it, but I didn't recognize it when it landed on me with all four feet. Chickens come home to roost, and my pigeons had found a nesting-place on my anatomy; and the spot they had chosen was right in the neck.
CHAPTER XIII
SCENE IN A ROLLING MILL
The rolling mill where father worked was Life's Big Circus tent to me, and like a kid escaped from school, eager to get past the tent flap and mingle with the clowns and elephants, I chucked my job sorting nails when I found an opening for a youngster in the rolling mill. Every puddler has a helper. Old men have both a helper and a boy. I got a place with an old man, and so at the age of twelve I was part of the Big Show whose performance is continuous, whose fire-eaters have real flame to contend with, and whose snake-charmers risk their lives in handling great hissing, twisting red-hot serpents of angry iron.
In this mill there is a constant din by day and night. Patches of white heat glare from the opened furnace doors like the teeth of some great dark, dingy devil grinning across the smoky vapors of the Pit. Half naked, soot-smeared fellows fight the furnace hearths with hooks, rabbles and paddles. Their scowling faces are lit with fire, like sailors manning their guns in a night fight when a blazing fire ship is bearing down upon them. The sweat runs down their backs and arms and glistens in the changing lights. Brilliant blues and rays of green and bronze come from the coruscating metal, molten yet crystallizing into white-hot frost within the furnace puddle. Flaming balls of woolly iron are pulled from the oven doors, flung on a two-wheeled serving tray, and rushed sputtering and flamboyant to the hungry mouth of a machine, which rolls them upon its tongue and squeezes them in its jaw like a cow mulling over her cud. The molten slag runs down red-hot from the jaws of this squeezer and makes a luminous rivulet on the floor like the water from the rubber rollers when a washer-woman wrings out the saturated clothes. Squeezed dry of its luminous lava, the white-hot sponge is drawn with tongs to the waiting rollers--whirling anvils that beat it into the shape they will. Everywhere are hurrying men, whirring flywheels, moving levers of steam engines and the drum-like roar of the rolling machines, while here and there the fruits of this toil are seen as three or four fiery
But when I began to tell Mrs. Thomas of her son's crime, she sided with Jack and wouldn't listen to me. "Don't come to me with your troubles, you nasty little whiffet," she cried. "You started the whole thing when you sneaked in and ruined Jack's pigeon eggs. Now that you've got the worst of it you come here with your tattle-tales. You ought to be ashamed to show your face--" She had become so threatening that I turned and ran. My whole case had gone to pieces on her sharp tongue like a toy balloon pricked with a pin. I had been blowing it up until it got so big I couldn't see anything else. It burst right in my face, and there wasn't even a scrap of rubber to tell where it had been.
This taught me one of the best lessons I ever learned. By looking only at his side of a case a man can kid himself into thinking that he is wholly right, that his cause is greater than himself and represents the rights of the entire community. But a counter-blast from the other side will deflate his balloon in a second and he'll come down to earth without even a parachute to soften the jolt when he lands.
I learned that blood is not only thicker than water, but it is thicker than curdled milk, and you can't line up a mother against her own child even if he chased the cows until they got so wild they gave strawberry pop instead of milk. Any argument that goes contrary to human nature has struck a snag before it is started. A man must come into court with clean hands. I had started by rotting the other fellow's eggs and he finished by souring my milk. I wanted justice and I got it, but I didn't recognize it when it landed on me with all four feet. Chickens come home to roost, and my pigeons had found a nesting-place on my anatomy; and the spot they had chosen was right in the neck.
CHAPTER XIII
SCENE IN A ROLLING MILL
The rolling mill where father worked was Life's Big Circus tent to me, and like a kid escaped from school, eager to get past the tent flap and mingle with the clowns and elephants, I chucked my job sorting nails when I found an opening for a youngster in the rolling mill. Every puddler has a helper. Old men have both a helper and a boy. I got a place with an old man, and so at the age of twelve I was part of the Big Show whose performance is continuous, whose fire-eaters have real flame to contend with, and whose snake-charmers risk their lives in handling great hissing, twisting red-hot serpents of angry iron.
In this mill there is a constant din by day and night. Patches of white heat glare from the opened furnace doors like the teeth of some great dark, dingy devil grinning across the smoky vapors of the Pit. Half naked, soot-smeared fellows fight the furnace hearths with hooks, rabbles and paddles. Their scowling faces are lit with fire, like sailors manning their guns in a night fight when a blazing fire ship is bearing down upon them. The sweat runs down their backs and arms and glistens in the changing lights. Brilliant blues and rays of green and bronze come from the coruscating metal, molten yet crystallizing into white-hot frost within the furnace puddle. Flaming balls of woolly iron are pulled from the oven doors, flung on a two-wheeled serving tray, and rushed sputtering and flamboyant to the hungry mouth of a machine, which rolls them upon its tongue and squeezes them in its jaw like a cow mulling over her cud. The molten slag runs down red-hot from the jaws of this squeezer and makes a luminous rivulet on the floor like the water from the rubber rollers when a washer-woman wrings out the saturated clothes. Squeezed dry of its luminous lava, the white-hot sponge is drawn with tongs to the waiting rollers--whirling anvils that beat it into the shape they will. Everywhere are hurrying men, whirring flywheels, moving levers of steam engines and the drum-like roar of the rolling machines, while here and there the fruits of this toil are seen as three or four fiery