The Judas Strain - James Rollins [92]
Vigor continued, “Balthazar was the one who first discovered Seichan’s message in the Tower of Winds and helped me with the angelic translations. He’s also good friends with the museum’s curator here.”
“Lot of good that’ll do,” Balthazar groused in a deep baritone, and led the way into the main church. He waved an arm ahead. “We’ve got a lot of ground to cover.”
The man stepped aside and the view opened.
Gray gaped at the sight. Vigor noted his reaction and patted him on the shoulder.
A long barreled vault stretched a vast distance ahead, not unlike entering a train station. Overhead, a series of arches and cupolas climbed to the central main dome. A second-floor colonnade framed both sides. But the most impressive sight was not anything constructed of stone—it was simply the play of light in the space. Windows pierced walls and lined the bottoms of domes, allowing sunlight to reflect off emerald-and-white marble, off gold-encrusted mosaics. The sheer volume of empty space, unsupported by interior pillars, seemed impossible.
In awed silence Gray followed the two men down the long nave.
Reaching the heart of the church, Gray stared up at the scalloped vault of the main dome, twenty stories over his head. Its ribbed surface was decorated with rippling gold-and-purple calligraphy. Around its bottom circumference, forty arched windows allowed in morning sunlight, creating an appearance that the dome was hovering over one’s head.
“It’s like it’s floating up there,” Gray mumbled.
Balthazar joined him. “An architectural optical illusion,” the art historian explained, and pointed up. “See those ribs along the underside of the roof, like the braces on an umbrella? They distribute the weight around the windows down to the flared pendentives seated atop massive foundation piers. Also the roof itself is lighter than it appears, constructed of hollow bricks kilned in Rhodes from the city’s porous clay. It’s a masterpiece of illusion. Stone, light, and air.”
Vigor nodded. “Even Marco Polo was awed, to quote the great man, by ‘the apparent weightlessness of the dome, and the bewildering abundance of direct and indirect lighting effects.’”
Gray understood. It was also strange to know that where he now stood, Marco Polo had also stood, the two men joined across the ages by their mutual wonder at and respect for the ancient builders.
The only blemish to the effect was the wall of black scaffolding along one side that climbed from the marble floor to the top of the dome.
It helped ground Gray in his situation. He checked his watch. Nasser would be arriving before nightfall. They had less than a day to solve this riddle.
If his plan was going to work…
But where to start?
Vigor was asking the same of his friend. “Balthazar, were you able to question the museum staff? Has anyone seen anything like angelic script in here?”
The man rubbed his beard and sighed. “I interviewed the curator, talked to his staff. The curator knows Hagia Sophia from its underground crypts to the tip of its highest dome. He insists nothing like angelic script can be found anywhere. He expressed one thought, though…something you’re not going to like to hear.”
“What?” Vigor asked.
“Remember how much of Hagia Sophia was plastered over from when the church was converted into a mosque. What we may be looking for could be hidden under inches of old plaster. Or it could have been inscribed on plaster that has since been cleaned away.” Balthazar shrugged. “So there’s a very real possibility that what we seek may be gone.”
Gray refused to believe it. While Vigor and Balthazar discussed such matters in more detail, he walked away. He needed to think. He checked his watch again, a reflexive gesture. Nervous and worried. He didn’t even really see the time. He dropped his arm and crossed to the scaffolding. He should never have left his parents alone. His mother’s few words over the phone haunted him.
I’m sorry. Your father. I needed his pills.
Something must have happened. Gray had refused