The Key to Rebecca - Ken Follett [141]
The train was coming into a town. Vandam did not know the names of the places anymore: his geography was not that good, and he had rather lost track of the distance he had traveled. It was a small town. It would have three or four brick buildings and a market.
The train was going to get there before him. He had made his plans, he knew what he was going to do: but he needed time, it was impossible for him to rush into the station and jump on the train without making preparations. He reached the town and slowed right down. The street was blocked by a small flock of sheep. From a doorway an old man smoking a hookah watched Vandam: a European on a motorcycle would be a rare, but not unknown, sight. An ass tied to a tree snarled at the bike. A water buffalo drinking from a bucket did not even look up. Two filthy children in rags ran alongside, holding imaginary handlebars and saying “Brrrm, brrrm,” in imitation. Vandam saw the station. From the square he could not see the platform, for that was obscured by a long, low station building; but he could observe the exit and see anyone who came out. He would wait outside until the train left, just in case Wolff got off; then he would go ahead, and reach the next stop in plenty of time. He brought the motorcycle to a halt and killed the engine.
The train rolled slowly over a level crossing. Elene saw the patient faces of the people behind the gate, waiting for the train to pass so that they could cross the line: a fat man on a donkey, a very small boy leading a camel, a horse-drawn cab, a group of silent old women. The camel couched, the boy began to beat it about the face with a stick and then the scene slid sideways out of view. In a moment the train would be in the station. Elene’s courage deserted her. Not this time, she thought. I haven’t had time to think of a plan. The next station, let me leave it until the next station. But she had told Billy they would try to get away at this station. If she did nothing he would not trust her any longer. It had to be this time.
She tried to devise a plan. What was her priority? To get Billy away from Wolff. That was the only thing that counted. Give Billy a chance to run, then try to prevent Wolff from giving chase. She had a sudden, vivid memory of a childhood fight in a filthy slum street in Alexandria: a big boy, a bully, hitting her, and another boy intervening and struggling with the bully, the smaller boy shouting to her “Run, run!” while she stood watching the fight, horrified but fascinated. She could not remember how it had ended.
She looked around. Think quickly! They were in an open carriage, with fifteen or twenty rows of seats. She and Billy sat side by side, facing forward. Wolff was opposite them. Beside him was an empty seat. Behind him was the exit door to the platform. The other passengers were a mixture of Europeans and wealthy Egyptians, all of them in Western clothing. Everyone was hot, weary and enervated. Several people were asleep. The trainmaster was serving tea in glasses to a group of Egyptian Army officers at the far end of the carriage.
Through the window she saw a small mosque, then a French courthouse, then the station. A few trees grew in the dusty soil beside the concrete platform. An old man sat cross-legged beneath a tree, smoking a cigarette. Six boyish-looking Arab soldiers were crowded onto one small bench. A pregnant woman carried a baby in her arms. The train stopped.
Not yet, Elene thought; not yet. The time to move would be when the train was about to pull out again—that would give Wolff less time to catch them. She sat feverishly still. There was a clock on the platform with roman numerals. It had stopped at five