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The Kill - Emile Zola [106]

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from the world. Maxime had done more for her than elicit a note of pleasure shrill enough to match her extravagant outfits; he was the lover this house required, with its storefront windows and its incrustation of sculpture from rooftop to cellar. He made all that plaster come alive, from the two chubby-cheeked cupids holding their dripping shell in the courtyard to the tall, naked women supporting the balconies and playing with apples and ears of corn in the pediments. He explained the all too sumptuous vestibule, the ridiculously constricted garden, and the splendid rooms crammed with armchairs but devoid of art. Renée, who had been bored to death there, suddenly brightened and began to use the house as if she had only just grasped its true purpose. And it was not only in her apartment that she paraded her love, not just in the buttercup salon or the conservatory, but throughout the house. Eventually she even found the divan in the smoking room to her liking. She enjoyed lying there, she said, because the room smelled vaguely of tobacco, which she found quite pleasant.

She took to receiving guests on two days instead of one. On Thursdays outsiders were welcome, but Mondays were reserved for close female friends. Men were not allowed. Only Maxime was admitted to these select gatherings, which were held in the small salon. One night Renée had the stupendous idea of dressing him as a woman and passing him off as one of her cousins. Adeline, Suzanne, Baroness von Meinhold, and other friends of hers rose to greet the newcomer, astonished by a face they vaguely recognized. When at last they realized what was going on, they laughed a lot and refused to let the young man change his clothes. They made him stay there in his skirt, teasing him and making off-color jokes. After seeing the ladies out through the main gate, he circled round the park and returned by way of the conservatory. Even Renée’s close friends never suspected a thing. The lovers could hardly have been more familiar than when they had been good comrades. And if a servant happened to catch them pressed rather too close together behind closed doors, there was no occasion for surprise, since the entire staff was used to these little jokes of Madame and the son of Monsieur.

Such utter freedom and impunity emboldened them still more. If they bolted their door at night, by day they kissed in every room in the house. They invented countless little games to while away the time on rainy days. But Renée’s greatest delight was still to make a roaring fire and nap in front of the fireplace. That winter she had a marvelous array of linen to choose from. Her chemises and peignoirs cost a king’s ransom, and their frilly lace and batiste barely covered her with a white cloud. She lay almost naked in the red glow of the fireplace, her lace and skin tinted pink, her flesh warmed through the thin fabric by the heat of the flames. Maxime, crouching at her feet, could kiss her knees without so much as feeling the garment, which shared the warmth and color of her beautiful body. When the sky was overcast, a dusky gloom enveloped the gray silk-lined bedroom, while Céleste quietly padded in and out behind the two lovers. She had of course become their accomplice. When they lingered in bed one morning, she found them there yet betrayed no emotion, as if her veins were filled with ice water. After that they cast all caution to the winds, and Céleste came in at all hours, never allowing the sound of their kisses to distract her from her work. They relied on her to warn them of any danger. They did not buy her silence. She was a very thrifty girl, very respectable, and if she had ever had a lover, no one knew about it.

In the meantime Renée did not cloister herself. She made the rounds of society with Maxime tagging along behind like a fair-haired page in a dark frock coat, and took greater pleasure in this ritual than ever before. Her season was one long triumph. Her outfits and hairdos had never been more boldly imagined. It was now that she dared to wear the famous tawny satin gown

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