The Kill - Emile Zola [73]
The marriage was arranged with smiles all around, and it was decided that the “kids” would be allowed to grow up. The two families enjoyed a close friendship. M. de Mareuil pursued his candidacy. Saccard kept an eye on his prey. It was understood that Maxime’s basket of wedding gifts would include his nomination as an auditor to the Conseil d’Etat.
Meanwhile, the Saccards’ fortune seemed to have reached its apogee. It blazed like a gigantic bonfire in the middle of Paris. It was the hour when the hounds were ardently devouring their share of the spoils, and a corner of the forest was filled with the sounds of dogs barking and whips cracking and the flare of countless torches. The appetites that had been unleashed at last found contentment in the impudence of triumph, in the din of crumbling neighborhoods and fortunes built in six months. The city had become an orgy of millions and of women. Vice, come from on high, flowed through the gutters, spread across ornamental basins, and spurted skyward in public fountains only to fall again upon the roofs in a fine driving rain. And at night, when one crossed the bridges, the Seine seemed to carry off all the refuse of the sleeping city: crumbs fallen from tables, lace bows left lying on divans, hairpieces forgotten in cabs, banknotes slipped out of bodices—everything that brutal desire and immediate gratification of instinct shattered and soiled and then tossed into the street. Then, in the capital’s feverish sleep, better even than in its breathless daylight quest, one sensed the mental derangement, the gilded, voluptuous nightmare of a city driven mad by its gold and its flesh. Violins sang until midnight. Then windows went dark, and shadows fell upon the city. It was like a colossal alcove in which the last candle had been blown out, the last vestige of modesty extinguished. In the depths of the darkness there was now only a great gurgle of frenetic and weary love, while the Tuileries, at the water’s edge, reached out its arms as if to embrace the vast blackness.
Saccard had built his Parc Monceau mansion on land stolen from the city. On the second floor he had reserved for himself a superb study in rosewood and gold, its tall glassed bookcases filled with files and not a single book in sight. The safe, built into the wall, created an iron alcove big enough to hide the amours of a billion francs. There his fortune flourished and insolently displayed itself. Everything he tried seemed to succeed. When he left the rue de Rivoli and adopted a grander style of entertaining, doubling his expenditure, he alluded, in conversations with people he knew well, to substantial profits. To hear him tell it, his partnership with Mignon and Charrier had yielded enormous rewards; his speculations on real estate were doing even better; and the Crédit Viticole was an inexhaustible fountain of cash. He had a way of enumerating his riches that dazzled his listeners and prevented them from getting a clear view of his situation. His Provençal twang became thicker than ever. With his short sentences and nervous gestures he fired off rockets that exploded into millions, leaving even the most incredulous listeners dazzled in the end. His frantic mimicry of a man of means played a large part in the reputation he had acquired of being a lucky gambler. In truth, he was not known to possess any clear, solid capital. His various associates, who were of necessity well-informed as