The Kindly Ones - Anthony Powell [3]
The property stood in country partaking in general feature of the surroundings of that uniquely detestable town, although wilder, more deserted, than its own immediate outskirts. The house, built at the summit of a steep hill, was reached by a stony road – the uneven, treacherous surface of pebbles probably accounting for the name – which turned at a right-angle halfway up the slope, running between a waste of gorse and bracken, from out of which emerged an occasional ivy-strangled holly tree or withered fir: landscape of seemingly purposeful irresponsibility, intentional rejection of all scenic design. In winter, torrents of water gushed over the pebbles and down the ruts of this slippery route (perilous to those who, like General Conyers, attempted the journey in the cars of those days) which continued for two or three hundred yards at the top of the hill, passing the Stonehurst gate. The road then bifurcated, aiming in one direction towards a few barely visible roofs, clustered together on the distant horizon; in the other, entering a small plantation of pine trees, where Gullick, the Stonehurst gardener (fascinatingly described once by Edith in my unobserved presence as ‘born out of wedlock’), lived in his cottage with Mrs Gullick. Here, the way dwindled to a track, then became a mere footpath, leading across a vast expanse of heather, its greyish, pinkish tones stained all the year round with great gamboge patches of broom: country taking fire easily in hot summers.
The final limits of the Stonehurst estate, an extensive wired-in tract of desert given over to the devastations of a vast brood of much interbred chickens, bordered the heath, which stretched away into the dim distance, the heather rippling in waves like an inland sea overgrown with weed. Between the chickens and the house lay about ten acres of garden, flower beds, woodland, a couple of tennis courts. The bungalow itself was set away from the road among tall pines. Behind it, below a bank of laurel and Irish yews, espaliered roses sloped towards a kitchen-garden, where Gullick, as if gloomily contemplating the accident of his birth, was usually to be found pottering among the vegetables, foretelling a bad season for whichever crop he stood among. Beyond the white-currant bushes, wild country began again, separated from Stonehurst civilisation by only a low embankment of turf. This was the frontier of a region more than a little captivating – like the stables – on account of its promise of adventure. Dark, brooding plantations of trees; steep, sandy slopes; soft, velvet expanses of green moss, across which rabbits and weasels incessantly hurried on their urgent business: a terrain created for the eternal campaign of warring armies, whose unceasing operations justified recognition of Albert’s sleeping-quarters as the outworks of a barbican, or stockade, to be kept in a permanent state of defence. Here, among these woods and clearings, sand and fern, silence and the smell of pine brought a kind of release to the heart, together with a deep-down wish for something, something more than battles, perhaps not battles at all; something realised, even then, as nebulous, blissful, all but unattainable: a feeling of uneasiness, profound and oppressive, yet oddly pleasurable at times, at other times so painful as to be almost