The Lake Gun [2]
and, at others, obtaining them in an inn. Wherever he might be, he inquired about the "Wandering Jew" and the "Lake Gun," bent on solving these two difficult problems, if possible, and always with the same success. Most persons had seen the former, but not lately; while about one in ten had heard the latter. It occurred to our traveler that more of the last were to be found nearer to the northern than to the southern end of the lake.
The cruise continued a fortnight in this desultory manner, with the same want of success. One morning, as Fuller was returning to the boat, after passing the night in a farm- house, he was struck by the statue-like appearance of a figure which stood on the extreme point of a low, rocky promontory, that was considerably aside from any dwelling or building. The place was just at the commencement of the hill country, and where the shores of the Seneca cease to offer those smiling pictures of successful husbandry that so much abound farther north. A somber, or it might be better to say a sober, aspect gave dignity to the landscape, which, if not actually grand, had, at least, most of the elements that characterize the noble in nature.
But Fuller, at the moment, was less struck with the scenery, charming as that certainly was, than with the statue-like and immovable form on the little promontory. A single tree shaded the spot where the stranger stood, but it cast its shadows toward the west, at that early hour, leaving the erect and chiseled form in clear sun-light. Stimulated by curiosity, and hoping to learn something that might aid him in his search from one as curious as himself, Fuller turned aside, and, instead of descending to the spot where Peter had the boat ready for his reception, he crossed a pleasant meadow, in the direction of the tree.
Several times did our traveler stop to gaze on that immovable form. A feeling of superstition came over him when he saw that not the smallest motion, nor relief of limb or attitude, was made for the ten minutes that his eye had rested on the singular and strange object. At he drew nearer, however, the outlines became more and more distinct, and he fancied that the form was actually naked. Then the truth became apparent: it was a native of the forest, in his summer garb, who had thrown aside his blanket, and stood in his leggings, naked. Phidias could not have cut in stone a more faultless form; for active, healthful youth had given to it the free and noble air of manly but modest independence.
{Phidias = a very famous Greek sculptor of the 5th century B.C.}
"Sago," said Fuller, drawing near to the young Indian, who did not betray surprise or emotion of any sort, as the stranger's foot-fall came unexpectedly on his ear, using the salutation of convention, as it is so generally practiced between the two races. The Indian threw forward an arm with dignity, but maintained his erect and otherwise immovable attitude.
{Sago = a term of greeting, as Cooper believed, among American Indians}
"Oneida?" demanded Fuller, while he doubted if any young warrior of that half-subdued tribe could retain so completely the air and mien of the great forests and distant prairies.
"Seneca," was the simple answer. The word was uttered in a tone so low and melancholy that it sounded like saddened music. Nothing that Fuller had ever before heard conveyed so much meaning so simply, and in so few syllables. It illuminated the long vista of the past, and cast a gloomy shadow into that of the future, alluding to a people driven from their haunts, never to find another resting-place on earth. That this young warrior so meant to express himself--not in an abject attempt to extort sympathy, but in the noble simplicity of a heart depressed by the fall of his race--Fuller could not doubt; and every generous feeling of his soul was enlisted in behalf of this young Indian.
"Seneca," he repeated slowly, dropping his voice to something like the soft, deep tones of the other; "then you are in your own country, here?"
"My country," answered the red man, coldly,
The cruise continued a fortnight in this desultory manner, with the same want of success. One morning, as Fuller was returning to the boat, after passing the night in a farm- house, he was struck by the statue-like appearance of a figure which stood on the extreme point of a low, rocky promontory, that was considerably aside from any dwelling or building. The place was just at the commencement of the hill country, and where the shores of the Seneca cease to offer those smiling pictures of successful husbandry that so much abound farther north. A somber, or it might be better to say a sober, aspect gave dignity to the landscape, which, if not actually grand, had, at least, most of the elements that characterize the noble in nature.
But Fuller, at the moment, was less struck with the scenery, charming as that certainly was, than with the statue-like and immovable form on the little promontory. A single tree shaded the spot where the stranger stood, but it cast its shadows toward the west, at that early hour, leaving the erect and chiseled form in clear sun-light. Stimulated by curiosity, and hoping to learn something that might aid him in his search from one as curious as himself, Fuller turned aside, and, instead of descending to the spot where Peter had the boat ready for his reception, he crossed a pleasant meadow, in the direction of the tree.
Several times did our traveler stop to gaze on that immovable form. A feeling of superstition came over him when he saw that not the smallest motion, nor relief of limb or attitude, was made for the ten minutes that his eye had rested on the singular and strange object. At he drew nearer, however, the outlines became more and more distinct, and he fancied that the form was actually naked. Then the truth became apparent: it was a native of the forest, in his summer garb, who had thrown aside his blanket, and stood in his leggings, naked. Phidias could not have cut in stone a more faultless form; for active, healthful youth had given to it the free and noble air of manly but modest independence.
{Phidias = a very famous Greek sculptor of the 5th century B.C.}
"Sago," said Fuller, drawing near to the young Indian, who did not betray surprise or emotion of any sort, as the stranger's foot-fall came unexpectedly on his ear, using the salutation of convention, as it is so generally practiced between the two races. The Indian threw forward an arm with dignity, but maintained his erect and otherwise immovable attitude.
{Sago = a term of greeting, as Cooper believed, among American Indians}
"Oneida?" demanded Fuller, while he doubted if any young warrior of that half-subdued tribe could retain so completely the air and mien of the great forests and distant prairies.
"Seneca," was the simple answer. The word was uttered in a tone so low and melancholy that it sounded like saddened music. Nothing that Fuller had ever before heard conveyed so much meaning so simply, and in so few syllables. It illuminated the long vista of the past, and cast a gloomy shadow into that of the future, alluding to a people driven from their haunts, never to find another resting-place on earth. That this young warrior so meant to express himself--not in an abject attempt to extort sympathy, but in the noble simplicity of a heart depressed by the fall of his race--Fuller could not doubt; and every generous feeling of his soul was enlisted in behalf of this young Indian.
"Seneca," he repeated slowly, dropping his voice to something like the soft, deep tones of the other; "then you are in your own country, here?"
"My country," answered the red man, coldly,