The Lake of Dreams - Kim Edwards [135]
There is no need for me to go on; I know my suffering will only bring you grief. But I write to let you know that all the windows are done. I believe they are beautiful. They hang against the windows in my studio, and I think you would be pleased to see them, all the women gathered, their feet resting gently on the border Rose designed. She took it, as you may know, from an image she saw as a child, a pattern she sketched and remembered for its beauty. Though I followed your instructions about the women you wished to depict, I consulted Rose about the images and design and the choice of colors, as I’m sure you wished me to do. Truly, we were partners in this creation, and so I think of these as being her windows in some true sense, born of your generosity and vision, yes, and of my work, true, but born also of my conversations with Rose, who is a sister to you in your concerns. You will understand that I made these windows with her in mind, thought of her with every piece of glass I cut, and I put them all together as if I could assemble our lives in such a beautiful and accurate way. Which of course, I cannot.
In any case, they are finished and await your inspection.
Regards, Frank
28 September 1938
My Dear Vivian and Cornelia,
May this letter find you well in The Lake of Dreams. I was so pleased to have you visit, and to hear from you so quickly. It is joyous to me that you like the windows. I know that the two of you and Rose have dreamed of such a chapel for decades, and your generosity in funding this project will inspire generations, I feel sure. I find the windows have a life of their own, a resonating beauty apart from anything we did to create them, and I shall be sorry when they do not stand in my studio any longer.
But pack them up, I have. The shipping company will collect them tomorrow, and they will be delivered to you no later than two weeks from now.
Also the last funds have arrived, and I thank you. Do let me know when the installation will be. I cannot wait to see your chapel.
Rose is a little better now. She did come here one afternoon and stood for a long time amid the windows. They say she may be able to return home next week, so we hope.
Regards, Frank
I read these letters several times, exhilarated at this direct, clear link between Frank Westrum and Rose. And because I felt magnanimous and thankful to Oliver for sharing what he’d found, I forwarded the notes to him, without letting myself consider it too fully. By the time I looked up, the level of activity had risen, people streaming in and scattering throughout the terminal. Yoshi’s flight had landed. I closed the computer and stood up to wait, still thinking of Frank’s notes, the poignant image of him standing outside the sanatorium, watching her silhouette through the curtains, beyond the layers of glass. Thinking of them working together, Rose drawing with the same sharp lines that comprised her handwriting, sketching the designs Frank would translate into glass, a beautiful symbiosis. His notes were undercut with such sadness, and I wondered what Rose had been suffering from, what cruel disease he meant. Tuberculosis, I guessed, and it made sense that she might have contracted this from the work she’d done with