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The Land of Footprints [31]

By Root 1303 0
on the steep side hill, and partly concealed by the brush, stood two rhinoceroses.

They were side by side, apparently dozing. We squatted on our heels for a consultation.

The obvious thing, as the wind was from them, was to sneak quietly by, saying nuffin' to nobody. But although we wanted no more rhino, we very much wanted rhino pictures. A discussion developed no really good reason why we should not kodak these especial rhinos-except that there were two of them. So we began to worm our way quietly through the bushes in their direction.

F. and B. deployed on the flanks, their double-barrelled rifles ready for instant action. I occupied the middle with that dangerous weapon the 3A kodak. Memba Sasa followed at my elbow, holding my big gun.

Now the trouble with modern photography is that it is altogether too lavish in its depiction of distances. If you do not believe it, take a picture of a horse at as short a range as twenty-five yards. That equine will, in the development, have receded to a respectable middle distance. Therefore it had been agreed that the advance of the battle line was to cease only when those rhinoceroses loomed up reasonably large in the finder. I kept looking into the finder, you may be sure. Nearer and nearer we crept. The great beasts were evidently basking in the sun. Their little pig eyes alone gave any sign of life. Otherwise they exhibited the complete immobility of something done in granite. Probably no other beast impresses one with quite this quality. I suppose it is because even the little motions peculiar to other animals are with the rhinoceros entirely lacking. He is not in the least of a nervous disposition, so he does not stamp his feet nor change his position. It is useless for him to wag his tail; for, in the first place, the tail is absurdly inadequate; and, in the second place, flies are not among his troubles. Flies wouldn't bother you either, if you had a skin two inches thick. So there they stood, inert and solid as two huge brown rocks, save for the deep, wicked twinkle of their little eyes.

Yes, we were close enough to "see the whites of their eyes," if they had had any: and also to be within the range of their limited vision. Of course we were now stalking, and taking advantage of all the cover.

Those rhinoceroses looked to me like two Dreadnaughts. The African two-horned rhinoceros is a bigger animal anyway than our circus friend, who generally comes from India. One of these brutes I measured went five feet nine inches at the shoulder, and was thirteen feet six inches from bow to stern. Compare these dimensions with your own height and with the length of your motor car. It is one thing to take on such beasts in the hurry of surprise, the excitement of a charge, or to stalk up to within a respectable range of them with a gun at ready. But this deliberate sneaking up with the hope of being able to sneak away again was a little too slow and cold-blooded. It made me nervous. I liked it, but I knew at the time I was going to like it a whole lot better when it was triumphantly over.

We were now within twenty yards (they were standing starboard side on), and I prepared to get my picture. To do so I would either have to step quietly out into sight, trusting to the shadow and the slowness of my movements to escape observation, or hold the camera above the bush, directing it by guess work. It was a little difficult to decide. I knew what I OUGHT to do-

Without the slightest premonitory warning those two brutes snorted and whirled in their tracks to stand facing in our direction. After the dead stillness they made a tremendous row, what with the jerky suddenness of their movements, their loud snorts, and the avalanche of echoing stones and boulders they started down the hill.

This was the magnificent opportunity. At this point I should boldly have stepped out from behind my bush, levelled my trusty 3A, and coolly snapped the beasts, "charging at fifteen yards." Then, if B.'s and F.'s shots went absolutely true, or if the brutes didn't happen to smash the camera
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