The Land of Little Rain [25]
is no use trying to improve on children's names for wild flowers.
From the height of a horse you look down to clean spaces in a shifty yellow soil, bare to the eye as a newly sanded floor. Then as soon as ever the hill shadows begin to swell out from the sidelong ranges, come little flakes of whiteness fluttering at the edge of the sand. By dusk there are tiny drifts in the lee of every strong shrub, rosy-tipped corollas as riotous in the sliding mesa wind as if they were real flakes shaken out of a cloud, not sprung from the ground on wiry three-inch stems. They keep awake all night, and all the air is heavy and musky sweet because of them.
Farther south on the trail there will be poppies meeting ankle deep, and singly, peacock-painted bubbles of calochortus blown out at the tops of tall stems. But before the season is in tune for the gayer blossoms the best display of color is in the lupin wash. There is always a lupin wash somewhere on the mesa trail,--a broad, shallow, cobble-paved sink of vanished waters, where the hummocks of Lupinus ornatus run a delicate gamut from silvery green of spring to silvery white of winter foliage. They look in fullest leaf, except for color, most like the huddled huts of the campoodie, and the largest of them might be a man's length in diameter. In their season, which is after the gilias are at their best, and before the larkspurs are ripe for pollen gathering, every terminal whorl of the lupin sends up its blossom stalk, not holding any constant blue, but paling and purpling to guide the friendly bee to virginal honey sips, or away from the perfected and depleted flower. The length of the blossom stalk conforms to the rounded contour of the plant, and of these there will be a million moving indescribably in the airy current that flows down the swale of the wash.
There is always a little wind on the mesa, a sliding current of cooler air going down the face of the mountain of its own momentum, but not to disturb the silence of great space. Passing the wide mouths of canons, one gets the effect of whatever is doing in them, openly or behind a screen of cloud,--thunder of falls, wind in the pine leaves, or rush and roar of rain. The rumor of tumult grows and dies in passing, as from open doors gaping on a village street, but does not impinge on the effect of solitariness.
In quiet weather mesa days have no parallel for stillness, but the night silence breaks into certain mellow or poignant notes. Late afternoons the burrowing owls may be seen blinking at the doors of their hummocks with perhaps four or five elfish nestlings arow, and by twilight begin a soft whoo-oo-ing, rounder, sweeter, more incessant in mating time. It is not possible to disassociate the call of the burrowing owl from the late slant light of the mesa. If the fine vibrations which are the golden-violet glow of spring twilights were to tremble into sound, it would be just that mellow double note breaking along the blossom-tops. While the glow holds one sees the thistle-down flights and pouncings after prey, and on into the dark hears their soft pus-ssh! clearing out of the trail ahead. Maybe the pinpoint shriek of field mouse or kangaroo rat that pricks the wakeful pauses of the night is extorted by these mellow-voiced plunderers, though it is just as like to be the work of the red fox on his twenty-mile constitutional.
Both the red fox and the coyote are free of the night hours, and both killers for the pure love of slaughter. The fox is no great talker, but the coyote goes garrulously through the dark in twenty keys at once, gossip, warning, and abuse. They are light treaders, the split-feet, so that the solitary camper sees their eyes about him in the dark sometimes, and hears the soft intake of breath when no leaf has stirred and no twig snapped underfoot. The coyote is your real lord of the mesa, and so he makes sure you are armed with no long black instrument to spit your teeth into his vitals at a thousand yards, is both bold and curious. Not so bold, however, as the badger and not
From the height of a horse you look down to clean spaces in a shifty yellow soil, bare to the eye as a newly sanded floor. Then as soon as ever the hill shadows begin to swell out from the sidelong ranges, come little flakes of whiteness fluttering at the edge of the sand. By dusk there are tiny drifts in the lee of every strong shrub, rosy-tipped corollas as riotous in the sliding mesa wind as if they were real flakes shaken out of a cloud, not sprung from the ground on wiry three-inch stems. They keep awake all night, and all the air is heavy and musky sweet because of them.
Farther south on the trail there will be poppies meeting ankle deep, and singly, peacock-painted bubbles of calochortus blown out at the tops of tall stems. But before the season is in tune for the gayer blossoms the best display of color is in the lupin wash. There is always a lupin wash somewhere on the mesa trail,--a broad, shallow, cobble-paved sink of vanished waters, where the hummocks of Lupinus ornatus run a delicate gamut from silvery green of spring to silvery white of winter foliage. They look in fullest leaf, except for color, most like the huddled huts of the campoodie, and the largest of them might be a man's length in diameter. In their season, which is after the gilias are at their best, and before the larkspurs are ripe for pollen gathering, every terminal whorl of the lupin sends up its blossom stalk, not holding any constant blue, but paling and purpling to guide the friendly bee to virginal honey sips, or away from the perfected and depleted flower. The length of the blossom stalk conforms to the rounded contour of the plant, and of these there will be a million moving indescribably in the airy current that flows down the swale of the wash.
There is always a little wind on the mesa, a sliding current of cooler air going down the face of the mountain of its own momentum, but not to disturb the silence of great space. Passing the wide mouths of canons, one gets the effect of whatever is doing in them, openly or behind a screen of cloud,--thunder of falls, wind in the pine leaves, or rush and roar of rain. The rumor of tumult grows and dies in passing, as from open doors gaping on a village street, but does not impinge on the effect of solitariness.
In quiet weather mesa days have no parallel for stillness, but the night silence breaks into certain mellow or poignant notes. Late afternoons the burrowing owls may be seen blinking at the doors of their hummocks with perhaps four or five elfish nestlings arow, and by twilight begin a soft whoo-oo-ing, rounder, sweeter, more incessant in mating time. It is not possible to disassociate the call of the burrowing owl from the late slant light of the mesa. If the fine vibrations which are the golden-violet glow of spring twilights were to tremble into sound, it would be just that mellow double note breaking along the blossom-tops. While the glow holds one sees the thistle-down flights and pouncings after prey, and on into the dark hears their soft pus-ssh! clearing out of the trail ahead. Maybe the pinpoint shriek of field mouse or kangaroo rat that pricks the wakeful pauses of the night is extorted by these mellow-voiced plunderers, though it is just as like to be the work of the red fox on his twenty-mile constitutional.
Both the red fox and the coyote are free of the night hours, and both killers for the pure love of slaughter. The fox is no great talker, but the coyote goes garrulously through the dark in twenty keys at once, gossip, warning, and abuse. They are light treaders, the split-feet, so that the solitary camper sees their eyes about him in the dark sometimes, and hears the soft intake of breath when no leaf has stirred and no twig snapped underfoot. The coyote is your real lord of the mesa, and so he makes sure you are armed with no long black instrument to spit your teeth into his vitals at a thousand yards, is both bold and curious. Not so bold, however, as the badger and not