The Language of Bees - Laurie R. King [171]
In their centre was the restored altar. According to a guide-book in Mycroft's study, some twenty years ago a well-meaning enthusiast had decided that the half-buried stone in the middle of the circle had originally been an altar-stone, and had raised it, stretching it between a stone that lay to one side and a pair of stones that had been cracked and mounted upright with a gap between the halves.
Although the position of the cracked stone seemed to have a significance beyond that of a support—the gap between its halves would frame the mound of Maeshowe—the massive three-legged table was, nonetheless, most impressive. It did not require the imagination of a Sir Walter Scott to picture it as a sacrificial altar, longer than any man, fenced in by the towering grey granite shards.
My tour companions had been marched away to Maeshowe, our guide having clearly decided that I was unappreciative of his expertise. Alone, I made a slow circuit of the Stones, memorising the arrangement of the upright rocks, letting my feet learn the low depression of the ditch-works and the ground-level bridge that had once passed through ditch and bank.
Under the guise of studying waterfowl, I took out my glasses and aimed them at the saltwater loch to the south. Three swans stretched their wings and thought about dinner; seagulls darted and cried on the wind. A pair of fishermen occupying the shallows between me and the hotel had begun to work their way back to the shore, no doubt with dinner on their minds as well; behind them, I could see where the flames had been doused before they ate into the fabric of the hotel. The windows on this side of the building showed the backs of curtains—the fire must have started at night.
Its inner rooms, while not cosy, would be liveable.
Snatches of voice warned me of my companions' return, and I let the glasses wander along the shore-line for a minute before packing them away. I turned for a last look at the nearby proto-circle.
There was an intensity, almost a violence, to these Stones that the Ring on the hill did not have. I had fancied them earlier as having been dropped by the gods, but that was too passive. Rather, they looked as if the gods had seized each sharp-edged slab to drive it savagely into the turf, pulling away a blood-smeared hand.
I caught myself: I'd been away from Holmes for too long, and my imagination was running away with me.
Still, when I looked at that stone altar, I shivered.
I returned to the coach and rode unprotesting to the island's second town of Stromness, but when the others were shepherded in the direction of a restaurant, I slipped away. I walked back the way we had come, taking my time with the four miles so it would be deep dusk for the last mile; three motor-cars passed; each time, I dropped into the grassy verge away from their head-lamps.
The sky was moonless; the hotel was a faint outline against a marginally lighter expanse of clouds. I crept towards the smell of smoke and pressed myself into the wall between the first two windows, trying to hear above the perpetual sough of the wind. In the absence of a stethoscope, I pulled the knife from my boot-sheath and rested its point against the stones, setting the handle in back of my ear. Nothing.
Moving down the wall to the next windows, I tried again, and again heard only the sounds of the night and the thud of my own heart. Around the corner, the wind was loud enough to obscure anything less than a shout, so I kept circling to the side facing away from the loch. Again I listened, again—wait. Not voices, but a rhythmic thump, thump, thump, that then quickened in pace for a dozen or so beats. Feet, coming down stairs?
I moved to the boarded-up back of the hotel, and there I glimpsed motion. A light flickered, danced, and steadied: a candle, half-visible through the boards. A figure