The Language of Bees - Laurie R. King [74]
I got down on my knees to fish the maps out from under the bed. “Did you find out who is in charge of her case, at Scotland Yard?”
“Your old friend and admirer, Lestrade.”
“Really? I'd have thought him too high-ranking for an unidentified woman in a rural setting.”
“I haven't spoken with the good Chief Inspector himself, but I am led to understand the newspapers are summoning outrage at the ‘desecration of Britain's ancient holy places,’ and to have this following a death in Cerne Abbas and an assault at Stonehenge means that Scotland Yard will be doing all it can to deter a cause célèbre.”
I found myself smiling. “I can just imagine what Lestrade has to say about having to investigate suicidal Druids.”
In a moment, his head appeared around the door frame. “Was the woman who killed herself at Cerne Abbas a Druid?”
“She was an unemployed secretary, according to the papers. It was a farmer's letter to the editor that mentioned Druids.”
“Disappointing,” he said, looking both at me and through me. “I don't know that I have ever before encountered Druidical suicides.”
“It would be an original means of marking your return.”
“The lunatics rejoice,” he said, and nearly chuckled. Then he caught himself, and his eyes came into focus. “Are you ready Russell?”
But now it was my turn to look through him, as a thin idea stirred in the back of my mind. Lunatics and linked deaths; Holmes sitting in the moonlit window; a startling eclipse; full moons doubled above a cat's-fur hillside; a conversation: Madness is linked to the moon.
“Er, Holmes, I'm going to be a bit longer. Would you mind awfully taking a look at the orchard hives before we leave? It seemed to me that a couple of them were wanting the addition of a super, and it would be a pity if it drove them to swarm while we were away.” I could see that he was torn between the urgency of the case and the call of his long-time charges, so I added, “Holmes, it's Sunday. How much do you imagine we'll be able to accomplish in London anyway?”
“One hour,” he said, “no more.”
I waited at the window until I saw him cross the orchard. Then I trotted downstairs to the library and looked up the phases of the moon in the 1924 almanac. Dry-mouthed, I pushed the almanac back into place and went upstairs again, glancing out of the window to make sure he was still occupied before I fetched the key to the lumber room.
The oversized storage cupboard that Holmes called his lumber room was where all the useless odds and ends of a lifetime waited to be dragged into light as evidence, exemplar, or key piece of arcane research. (Including an assortment of deadly poisons—hence the lock.) It took a while to find his collection of outdated almanacs, in one tea-chest amongst a dozen others. I was not certain that there would even be one for that war year of 1918, but there was, although undersized and on the cheapest of pulp paper.
I perched atop an African wood drum and cautiously turned the limp pages to the calendar showing phases of the moon.
In April 1918, the full moon came on the 26th.
The day before young Damian Adler had killed a man in a drunken brawl. My hands trembled as they reached for the next year's volume.
Full moon: 11 August 1919.
Four days later, Damian had been arrested in the death of a drugs seller, fifty miles from Paris—to be released, not through proving an alibi, but through disproving a witness.
Yolanda Adler had been killed on 15 August 1924, when the moon was still full in the sky.
And as I had found downstairs: Miss Fiona Cartwright of Poole died of a bullet wound on 17 June: the night of a full moon.
The hair on the nape of my neck stirred.
Damian Adler, a painter of moonscapes and madness.
A sound came from somewhere in the house, and my hand flung the almanac into the chest and slammed down the lid. With only a degree more deliberation, I locked up the lumber room and returned the key to its hook in the laboratory, then took a furious brush to the dust on my skirt.
Absurd. Damian was no lunatic.
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