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The Last Days of Newgate - Andrew Pepper [2]

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progeny. Pyke followed her fingers as they stroked the piano’s keys and noted a contradiction between her expression, fixed in concentration, and her body, which moved in time with the rhythm of what she was playing.

She wore an embroidered muslin dress that enhanced her delicate frame. Her dark hair was gathered in a simple comb and offset her pale skin. He admired her fine looks as someone might appreciate a painting by Turner, an object that was pleasing to the eye but ultimately bland. Far better than Turner, for Pyke, was Hogarth, with his scenes of despair and violence. Better still was Hieronymus Bosch; those phantasmagoric images of human suffering made him feel, at once violated and aroused. In short, there was something too virtuous about Emily Blackwood, an element that shone from within her and made her not just unobtainable but somehow too perfect. He wondered whether she might crumble or snap into pieces, should anyone try to fuck her.

Though reluctant to spoil the moment, he feigned a cough. She stopped playing and looked up at him, startled and then angry. They had met once before when he had last performed a service for her father; however, he could not tell whether she recognised him or not. She worked for the philanthropist Elizabeth Fry, a woman of some public esteem, who had long campaigned for improved conditions in Newgate prison.

‘I would tell you to make yourself at home, but clearly you have already followed such advice,’ she said, without moving from behind the piano.

‘You are a very fine pianist.’ Pyke stepped into the room and ignored her indignation.

‘You fancy yourself as an expert?’ she asked, sceptically.

‘At first, I thought you were playing a piece by Mozart, one of his piano concertos perhaps. But then I considered the way you carried yourself, as though you were trying to hold something back against your will, and it made me revise my opinion.’

Her anger abated and a curious expression spread across her face. ‘You presume to know me, and what I played, perhaps a little too well.’

‘Last month, I saw this German fellow, Felix Mendelssohn, give a fine rendition of Beethoven’s Emperor Concerto in town. What you were playing reminded me a little of him.’

‘Mr Pyke, you are clearly more cultured than your reputation suggests.’

‘Oh? And what does my reputation suggest?’ He tried to hide his satisfaction that she had remembered his name.

‘When people talk of you, they do so with a reverence that borders, I would say, on fear.’

‘And you imagine that I seek to encourage such a reputation? Or deserve it?’ He was wearing a shirt with a collar to hide the cut he had received from Flynn’s blade.

This time she smiled a little. ‘I would imagine it serves your own interests quite well.’

‘My interests as a thief-taker?’

‘I have heard that only one of those words describes what you are, Mr Pyke. Or what you do.’

He couldn’t stop himself laughing. He looked at her again, approvingly this time. ‘You seem to know an awful lot about me, Miss Blackwood.’

‘I know you’re a Bow Street Runner but I have little idea of what Bow Street Runners are meant to do. I can see you’re confident to the point of vulgarity. I would guess your age to be a little over thirty. I have heard other less agreeable rumours about your profession in general which I do not wish to dwell on. Beyond that, I have been blissfully unaware of your existence and intend to remain that way.’

Emily Blackwood was, indeed, very pretty, but not as pretty as she might have been had her dress been tattier, or her hair not so immaculately pinned up, or had she not worn her breeding so aggressively in the company of others.

Pyke had been told he was handsome, although not in the suave if effete manner of an English gentleman. His thick black hair, curled in places, mutton-chop sideburns and swarthy olive skin suggested someone coarser, more readily associated with Continental peasants and bandits. A former lover, after she had been discarded, had described his lips as cruel and his pale grey eyes as lacking in sentiment. Another, while

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