The Legend of Sleepy Hollow and Other Wr - Washington Irving [165]
After sitting some time in the casino, the party paid for the refreshment they had taken, and departed. The young man was the last to leave the saloon, and I remarked him glancing behind him in the same way, just as he passed out of the door. I could not resist the impulse to rise and follow him; for I was at an age when a romantic feeling of curiosity is easily awakened. The party walked slowly down the arcades, talking and laughing as they went. They crossed the Piazetta, but paused in the middle of it to enjoy the scene. It was one of those moonlight nights, so brilliant and clear in the pure atmosphere of Italy. The moonbeams streamed on the tall tower of St. Mark, and lighted up the magnificent front and swelling domes of the cathedral. The party expressed their delight in animated terms. I kept my eye upon the young man. He alone seemed abstracted and self-occupied. I noticed the same singular and, as it were, furtive glance over the shoulder, which had attracted my attention in the casino. The party moved on, and I followed; they passed along the walk called the Broglio, turned the corner of the Ducal Palace, and getting into the gondola, glided swiftly away.
The countenance and conduct of this young man dwelt upon my mind, and interested me exceedingly. I met him a day or two afterwards in a gallery of paintings. He was evidently a connoisseur, for he always singled out the most masterly productions, and a few remarks drawn from him by his companions showed an intimate acquaintance with the art. His own taste, however, ran on singular extremes. On Salvator Rosa,kk in his most savage and solitary scenes; on Raphael, Titian, and Correggio,kl in their softest delineations of female beauty; on these he would occasionally gaze with transient enthusiasm. But this seemed only a momentary forgetfulness. Still would recur that cautious glance behind, and always quickly withdrawn, as though something terrible met his view.
I encountered him frequently afterwards at the theatre, at balls, at concerts; at promenades in the gardens of San Georgio; at the grotesque exhibitions in the square of St. Mark; among the throng of merchants on the exchange by the Rialto. He seemed, in fact, to seek crowds; to hunt after bustle and amusement; yet never to take any interest in either the business or the gayety of the scene. Ever an air of painful thought, of wretched abstraction; and ever that strange and recurring movement of glancing fearfully over the shoulder. I did not know at first but this might be caused by apprehension of arrest; or, perhaps, from dread of assassination. But if so, why should he go thus continually abroad? why expose himself at all times and in all places?
I became anxious to know this stranger. I was drawn to him by that romantic sympathy which sometimes draws young men towards each other. His melancholy threw a charm about him, no doubt heightened by the touching expression of his countenance, and the manly graces of his person; for manly beauty has its effect even upon men. I had an Englishman’s habitual diffidence and awkwardness to contend with; but from