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Jacobite!) And now that I so long to-day Have rested post discrimina, Safe in the brass-wir'd book-case where I watch'd the Vicar's whit'ning hair, Must I these travell'd bones inter In some Collector's sepulchre! Must I be torn from hence and thrown With frontispiece and colophon! With vagrant E's, and I's, and O's, The spoil of plunder'd Folios! With scraps and snippets that to ME Are naught but kitchen company! Nay, rather, FRIEND, this favour grant me: Tear me at once; but don't transplant me.

CHELTENHAM, Sept. 31, 1792.


The conceited ghoul writes his notes across our fair white margins, in pencil, or in more baneful ink. Or he spills his ink bottle at large over the pages, as Andre Chenier's friend served his copy of Malherbe. It is scarcely necessary to warn the amateur against the society of book-ghouls, who are generally snuffy and foul in appearance, and by no means so insinuating as that fair lady-ghoul, Amina, of the Arabian Nights.

Another enemy of books must be mentioned with the delicacy that befits the topic. Almost all women are the inveterate foes, not of novels, of course, nor peerages and popular volumes of history, but of books worthy of the name. It is true that Isabelle d'Este, and Madame de Pompadour, and Madame de Maintenon, were collectors; and, doubtless, there are other brilliant exceptions to a general rule. But, broadly speaking, women detest the books which the collector desires and admires. First, they don't understand them; second, they are jealous of their mysterious charms; third, books cost money; and it really is a hard thing for a lady to see money expended on what seems a dingy old binding, or yellow paper scored with crabbed characters. Thus ladies wage a skirmishing war against booksellers' catalogues, and history speaks of husbands who have had to practise the guile of smugglers when they conveyed a new purchase across their own frontier. Thus many married men are reduced to collecting Elzevirs, which go readily into the pocket, for you cannot smuggle a folio volume easily. This inveterate dislike of books often produces a very deplorable result when an old collector dies. His "womankind," as the Antiquary called them, sell all his treasures for the price of waste-paper, to the nearest country bookseller. It is a melancholy duty which forces one to introduce such topics into a volume on "Art at Home." But this little work will not have been written in vain if it persuades ladies who inherit books not to sell them hastily, without taking good and disinterested opinion as to their value. They often dispose of treasures worth thousands, for a ten pound note, and take pride in the bargain. Here, let history mention with due honour the paragon of her sex and the pattern to all wives of book-collecting men-- Madame Fertiault. It is thus that she addresses her lord in a charming triolet ("Les Amoureux du Livre," p. xxxv):-


"Le livre a ton esprit . . . tant mieux! Moi, j'ai ton coeur, et sans partage. Puis-je desirer davantage? Le livre a ton esprit . . . tant mieux! Heureuse de te voir joyeux, Je t'en voudrais . . . tout un etage. Le livre a ton esprit . . . tant mieux! Moi, j'ai ton coeur, et sans partage."


Books rule thy mind, so let it be! Thy heart is mine, and mine alone. What more can I require of thee? Books rule thy mind, so let it be! Contented when thy bliss I see, I wish a world of books thine own. Books rule thy mind, so let it be! Thy heart is mine, and mine alone.


There is one method of preserving books, which, alas, only tempts the borrower, the stealer, the rat, and the book-worm; but which is absolutely necessary as a defence against dust and neglect. This is binding. The bookbinder's art too often destroys books when the artist is careless, but it is the only mode of preventing our volumes from falling to pieces, and from being some day disregarded as waste-paper. A well-bound book, especially a book from a famous collection, has its price, even if its literary contents be of trifling value. A leather coat fashioned by Derome,
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